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R, b3, 3, 5, 6 (13 ?), b7
It seems similar to that of a mixolydian scale (/mode)
[R 2 3 4 5 6 b7: A B C# D E F# G]
without the 2nd and 4th degrees of the scale bit with the inclusion as noted, above, a passing tone of a minor 3rd...
http://www.jazz-guitar-licks.com/pages/guitar-scales-modes/modes-of-the-major-scale/the-mixolydian-mode.html
So, the following bastardised conglomeration ??
- mixolydian scale
- dominant 7th arpeggio [R, 3, 5, b7]
- minor 7th arpeggio [R, b3, 5, b7]
if ya list all or most of notes you'll be saying oh its a bit like this or that scale without a match. That's because it's two scales the minor pentatonic and whatever you'd call the major version used in standard rock and roll and as i say dips into that one.
Blues Scales:
Major: R, 2, b3, 3, 5, 6
[A, B, C, C#, E, F#]
Minor: R, b3, 4, b5, 5, b7
[A, C, D, Eb, E, G]
...and, as if by magic,...
https://www.guitarworld.com/lessons/essential-blues-basics-soloing-combined-minormajor-pentatonic-scales
Seriously: If you value it, take/fetch it yourself
2nd row, left-hand scale (the red one):
http://www.guitaristtv.com/Downloads/Modes%202014_02_18%20-%20for%20GTV.xlsx
But it’s really mixolydian wih no 4th or 2nd, and a minor and major 3rd. The 3rds and the flat 7 give it a bluesy rock’n’rolly feel.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
bit hard to jam with original on cassette in any other key unless ya use a capo or slow tape doon
is it crazy how saying sentences backwards creates backwards sentences saying how crazy it is?
in context, the C will almost never sound in on its own without being followed by C# [slide up to it, bend to it etc]
or it'll be bent by a microtone towards the C# so it'll still imply the C#
http://getchord.com