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So anyway on the morning boat transfer over from the mainland to the spit of land where the show site was I got talking to a bloke who turned out to be Steve Prior (Jeff Beck's regular tech ) who was covering for Pete Malandrone, I asked him what was in the gig bag he was carrying on his back...
Said he'd let me get a photo holding it once he was set up so went to see him an hour or so later and he hung it round my neck and plugged it in!
I suspect that set up in the hands of anybody other than Brain May would sound fucking awful. To him it is basically a part of his body, to anybody else it looks like a nightmare to play. When he was playing it unplugged and the mic was on it the sound was plinky as hell. Sounding like Brian May is impossible for anybody other than him, he just has such a unique tone and style. That guitar is a big part of it, although if anybody in the crowd notices when he plays his spare I´d be surprised, but I´d bet good money that it is only valuable in the hands of Brian May, and the rest of us would sound awful on it.
That said the only other serious player who uses Oak guitars that I can think of is Frank Usher. Would be interesting if any of the Luthiers could shed some light as to why Oak is never seen in guitars.
That semi-hollow version of the RS! Just....wow.
A pleasant surprise to find so much stuff in there that I didn't already know.
And how has it never needed a refret?! Stainless steel frets or something...?