So in response to the recent thread about Marshall, although I'm still of the opinion they are going to make a huge comeback, what if someone from Laney is looking and thinks "hang on, thats what they want, thats what they'll get"?
Another British company with great heritage, some already great products and masters of their own destiny. Laney isn't a brand that I've ever had much experience with but I know a lot of you guys love em. I used to love the GH100L but haven't tried any of the new stuff. They could just as easily and possibly a lot quicker produce the products that may take Marshall another year or so to come out with. Big ships take longer to turn and all that.
If there was a Laney amp that offered the stuff that we want to see from Marshall, would it sell if marketed right? Just curious more than anything.
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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
The combinations are simple. Lead defeats everything else, and rhythm/clean is a really a mode switch but at least the clean channel has its own independent volume control.
I liked the tones I got from mine but the build wasn't the best, it was noisy until some issues got sorted. I took it for a service and the tech absolutely slated it. However the same tech told me he refuses to work on certain Laney models because he's seen too many poor ones, so there may be bias there too.
Vintage v400mh mahogany topped dreadnought acoustic FS - £100
I bloody LOVE the gh50 - proper great single channel tones. The lh50 was great especially clean, and didn't go wrong for me but I'm well aware of Laney corner cutting in places. The lh5) is portable, two channels, great sounding and lightish (toroidal?).
I bloody LOVE the gh50 - proper great single channel tones. The lh50 was great especially clean, and didn't go wrong for me but I'm well aware of Laney corner cutting in places. The lh5) is portable, two channels, great sounding and lightish (toroidal?). [/quote]
I took a Laney Lionheart out gigging weekly for 6 years and other than fuses I had no issues.
That said I came across one with an un-soldered connection which left two of the power valves working intermittently. Laney are not exactly unique for that sort of fault though.
They just have a bit of a tendency to cut corners in a lot of areas really.
One thing that drives most techs nuts is the poor quality of the vinyl and glue, which almost always leads to the chassis snagging and tearing it, and can make getting them apart frustrating and time-consuming. It sounds like a trivial issue but it becomes very annoying when you've had to work on dozens of them...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Shameless plug for anyone looking for an awesome sounding 'Marshall', but with a great clean channel, two MVs, spring reverb and MIDI to boot ;-)
http://thefretboard.co.uk/discussion/37443/fs-laney-tt50-head#latest
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I had a Laney Linebacker Head back in the late 80s, it was ok but nothing special. In recent years I've been tempted to go back to Laney, and borrowed a TT100 head from a local shop for a gig (when my Cornford went pop) which seemed to sound pretty good, although I remember it did have a lot of knobs!
The Lionheart series seems to get good reviews, and is a good looking thing.
Bandcamp
Spotify, Apple et al