Hi
Just finished a very unconventional build that was kept under wraps until Tom, the chap who asked me to try the build, and I knew it wasn't going to fall to pieces!
It's actually complete and plays so Tom is happy for the wraps to come off! There is a
full build thread on the Basschat Forum here if anyone is at all interested in the detail, but the thumbnail version is that it started off with a piece of wood like this:
which some contacts of Tom's in Africa had hand-carved for him...
... and now it looks like this:
Different, isn't it!
Andy
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http://www.thefretboard.co.uk/discussion/61134/sarge/p1
So the deed is done
The bass has been passed over to Tom to try out in real life. Tom played it quite a bit this morning as we sorted the final action height, etc, and it looked and sounded GREAT. Helped immensely, of course, by Tom's playing but nevertheless a source of great satisfaction to me the builder
We've left the neck as initially carved (a flat-backed D profile) for Tom to play extensively and consider fully how it feels before the possibility of either moving towards a 'C' profile or asymmetric. I think that's wise because it is a relatively unusual scale (34.5") and sits on the strap in a slightly different position to how you would expect - a quick judgement on final profile might turn out to be a rushed judgement.
The interesting thing is that it doesn't actually feel like a long scale at all. I thought that but Tom also confirmed the same.
We've also left the acoustic strings on. Whether it is the strings or the position of plucking or what, but it sounds very much like an upright double bass to my ears!
So - here's muggins, the (very relieved and) satisfied builder:
......and here's Tom, the (hopefully will continue to be) satisfied owner:
Andy
To my great surprise, it balances on the strap very well. Not so good sitting down. One of the things I made sure was that the neck and bridge were as far back as possible so it sits slightly differently on the strap but balances well. It has a lucky side effect that the neck hangs further to the player's right than normal which makes if feel like a shorter scale than it is. I stole that idea from the Cort Curbow It sounds fuller than it deserves to - especially with acoustic strings! Tom thinks that maybe from the same effect - his picking hand is likewise further towards the neck. It's a lovely tone...very articulate but full. Total luck....