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So you want C# major or C# mixolydian, and then when you do a mini-modulation via the D# to the G# in your top line, you need to play notes in G# major. Then return to C#.
In your bottom line you can stick with C# even over the final G# because it's not a mini-modulation, it's just a turnaround.
However I think you will get much better results if you think in tunes rather than scales. What would you sing along to those chord changes? Try to play that. Or try playing the vocal line, that can be very effective. Maybe try playing the vocal line, then moving up an octave in the places where there's no singing and doing a little embellished snatch of the vocal, then snapping back down the octave ready for the next phrase. Or try just embellishing the vocal line on one octave for one round of the solo, then do another round an octave higher where you go further off track.
My tuppence worth.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
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work out what sounds right based on the other instrumentation in he arrangement and the general feel you're going for, then worry about what it's called after the fact.
Hear "What music fits"
We're playing music, so hear music, it's not mathematics.