Yoooo!
So for ages I've always played the dorian mode with the b5 blues note. Or "hybrid" blues or whatever you want to call it. I don't really play pentatonics, it's mainly modes.
So I was thinking, do you really play the b5 if you're playing over Aeolian because it sounds a bit pants..?
Similarly, for the major blues do you add the b3 to the Ionian mode.. and the mixolydian (sounds pants with lydian) or do you use other "blue" notes? I know some folk use b5 in mixolydian but I'm not convinced that sounds right.
Also... if I play Cmaj and A Aeolian... I know it's the same notes everywhere.
But if I play D dorian with b5 blues note, that's not the same as b3 of Cmaj or Gmixolydian blues... So different scales - gah.
I only mention because for yonks I've done dorian blues and not really bothered with major blues, and now I want to, I realise it's a slightly different scale. A (Aeolian) minor blues uses the same blues note as C major blues, though...
So the ones I think sounds ok (sticking to key of C for now):
C maj blues (blue note = Eb)
G mixo blues (blue note = Bb)
A min blues (blue note = Eb) - meh...
D dorian blues (blue note = Ab)
So for the same group of notes for that one parent key, it's really 3 different scales, if you get my drift. What a pain!
-> Which blue notes do you add and where?
Cheers!
Comments
https://twitter.com/dan_j_i/status/809885479365656576
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
This is the most important passing note in a major scale imo. It softens the scale and creates a minor-sounding melody, not only by virtue of being the minor 6th, but also by drawing attention to the A, the relative minor. It acts as a sort of leading note, so emulating melodic minor or harmonic minor as though E were the dominant and A were the minor tonic temporarily. I love it.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
But this b6 in Ionian isn't the "recommended" b3 blue note, interesting.
C mixolydian = F Ionian. Ab is still b6 but that's now b2 of G dorian so different scales.
Must admit the b3 blue note in the mixolydian pentatonic (though I prefer doing it modal...) I find really interesting but I'll try this b6. I've got to be honest, I'm just a lazy b&gger - I'd rather I didn't have to remember 5-6++ different scales.. just trying to minimise what I have to internalise.
So E7(#3) in harmonic minor is E,G#,B,D (or G# = Ab) which leads to Am.
And in fact that's the same for melodic minor, I just had to write it out. I get you now..
@Danji so the notes there are A, C, C#, E, F#, G.
Looks like A mixolydian with the C# in there, so your blue note is b4 of A?
If so, that's also quite different? Sounds great!
So we have... recommended b3. b6 as pointed out above. And b4.
Lol!!!
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