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In terms of feel, I think it is somewhere between Indian RW and Ebony.
I've got a Pau Ferro board on a Jaden Rose - it feels nicer that RW imho and has a tighter grain. I like it because it's like a mix of rosewood and maple - with a more interesting grain.
Generally i'd regard it as a more desirable FB material than RW.
its been used in place of Indian on some fenders for years, often as a cheaper substitute except when they want it to be a marketable feature.
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It has a lighter colour than most rw which also means the bits that have darkened with use are slightly more noticeable than with a rw guitar. It doesn't look dirty, there's just nicely contrasting shades of brown. It's subtle and I think it adds to its visual appeal.
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I chose it because it was the cheapest of the dark fretboard woods. £6 for santos rosewood, £8 for indian, £10 for ebony.
Its still in good supply so shouldn't be an expensive option but is now often priced between indian and ebony
here is a pic of the colour variation of 1st grade pau ferro from lmii
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By comparison, on the maple neck/fingerboard of my factory fretless Fender Precision Bass, identical strings have left ruts in which you could plant potatoes. (Okay. I may be exaggerating a little bit.)
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It has a fairly small growing region and isn't plantation growth as well. With Fender buying up stocks I can't see the supply being able to absorb the increased demand without price going through the roof.
I imagine that in the next 50 years we will reach a point where real wood in guitars will be reserved for ultra high end Luthier built instruments, and all of the instruments from 2017 will have inflated prices due to the fact.
Probably cost PRS a quid back in the day