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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
The tone stack has more expected results with a liquid profile.
The individual rigs I think are available as KIPR files to share and also I believe the entire performances can be shared as files via the Rig Manager software.
There's no real control on the Kemper, so anything somebody has on their Kemper can be shared with anyone else.
Rob has immaculate taste so I'm sure they sound great.......I think some are based on his Divided by 13 amps.
Sounds great. Tomorrow I'll do the upgrades so I can pull in all my old rigs from my Stage, but the form factor is great and it'll fit perfectly on my desk next to the Focusrite.
Tonex is going nowhere though - looking forward to trying a profiling 2 amp set up.
I think the Boss GT1000 Core is going on Reverb though.
He calls it his greatest hits package...
Really happy with the Player, all I use with it is a Keeley Compressor plus because I like its sound, a Strobostomp so I don't have to dedicate a switch to the tuner and a BOSS FS-6 dual switch so I can instantly access tap tempo and switched morphing.
Tempo linked morphing rate is brilliant as you can set how many bars it morphs over OR set it as a fixed rate or even an instant switch between two values of every parameter for each individual preset.
Finally have a small gig coming up and that encouraged me to use a little of my spare time of Christmas to sort the board out properly with a decent power supply and to tidy the cables.
The M-Vave Chocolate gives 8 banks of 4 presets - more than enough with a bluesy set of 4, a rockier set of 4, a heavier set of 4 and then assorted randoms that will never be used live.
On the FS-6 the A switch controls morphing with the B switch being for tap tempo. If I make a smaller board I may use an FS-7 instead but these are easy pedals to hit in the dark. The Strobostomp means I don't have to dedicate a switch on the Player to the tuner.
The Compressor plus is there because I like the sound of it.
On the Player the three switches can be programmed per patch but to keep things simple I tend to keep switch 1 to boost/drive/fuzz, 2 to modulation, 3 to delay 1+2 combo to FX1&2 and 2+3 combo to rotation speed if I'm using the rotary speaker.
I could do my sort of gig with just the Player and the M-Vave. If I was in a covers band I'd probably want a different MIDI switcher.
We've come a long way from a single channel amp with a distortion and a delay pedal.
My first proper gig was with a Laney LC15R