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Comments
Hey, Hey. My, My.
I tried a Behringer recently and it was poor, as well as not having the split outputs.
I would buy an OC-3 second hand, so you won’t lose much on resale if it doesn’t work for you.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I can do the signal splitting with another pedal the being able to have it only work within the range of the bass notes is key to what I’d like to try and achieve
Nil Satis Nisi Optimum
I don't think it does string isolation
You can get better tracking with pitch shifting (and tuning) by using the bridge pup and rolling your tone control down, as this gets rid of harmonics from your signal
Sound-wise I'd say it's okay if used in moderation. It won't be convincing if you want it to literally be at the level you'd normally expect to hear bass guitar in a rock band setting. You also have to play to the pedal - you can't just bash out a normal rhythm part and expect it to magically create a decent bass sound. If you can pick out clean bass notes and limit strummy stuff to the top few strings then it works okay. For single note riffs it should work pretty well.
To improve much beyond the OC3 I think you'd need to look at a specific pickup system like the Submarine that can isolate and process the bottom two strings independently. Every so often I check to see if anyone's made an improved version of the OC3 but all the octave pedals I find just act on all frequencies, which would sound terrible for chords. I live in hope...
Trading feedback here
Works best if you are doing fingerstyle. Jon Gomm gets great sound from it.