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Key thing as I said is 'each to their own' and no need to make a case for the katana as those that like it will buy it and those that don't .......... The Katana may be reasonably priced, but if, to some, it sounds poor, then it really doesn't matter how cheap it is, for them it is money wasted.
It is possible the 100 sounds much better than the 50 though...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Neither of them will fill a room like a real 50 or 100w amp, but the 50's slightly nasal boxiness actually works fairly well in any lineup bigger than guitar/bass/drums because of it's almost Pro Junior-like projection.
Don't get me wrong, I'll be happy if I never see either of them again, but if forced to choose one I'd get the 50.
Partly to see which side of the fence I’m on here and partly to see how it stacks up against my v2 mustang III.
From what I remember, the Katana was properly loud for a 50W SS amp but IMHO didn't sound as good as the Cube it replaced. Don't get me wrong, the Katana is still a lot of amp for not much money and has a lot more features. Initially I preferred it to the Cube but I think now there may have been confirmation bias going on. The clean and low gain models (which were the ones I used) on the Cube were actually ok - the higher gain ones were pretty fizzy though.
Is the Katana a better amp? No, it's a different amp, so I guess it depends on what you want. I wanted a bit more volume and the Katana certainly delivers - even on its 25W mode it is noticeably louder than the 40W Cube. Tones wise, though, it is certainly worse and without getting into deep editing is IMO less versatile than my old Cube.
Though I probably use it in a different way (a habit from my Mesa days).. so using the brown channel as crunch with the gain all the way down a and the crunch channel for lead (gain up with boost) and clean (gain nearly off)..
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It was ok. My Mustang III v2 is a much less efficient way to get a sound but I still prefer it. End of in depth review
He has the 100 watt combo.
Two of the bands had valve amp failures and borrowed his Katana.
No amps were micced as they didn't have enough microphones.
No problem hearing it over the drums in the mix, no problem with quality.
It was also only on the 50 Watt setting, used clean with pedals.
Just saying.
Although personally, I still think they sound better than the Katana...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
As I'd say to anyone wishing to buy one of the Katanas, spend some time in the tone studio setting it up. There are countless forums with user made patches and while some of them truly are awful, some of them get remarkably close to the sound they're trying to emulate.
For ease of use, no the Katana isn't top of the tree (although it s#!ts all over Line6, Peavey Vypyr, or any of the fender stuff in terms of getting a usable tone fast), especially comparing it to a good old valve amp. But like I've said a thousand times, it's great at versatility and is significantly cheaper than buying 3 or 4 even cheap solid state amps of comparable volume that would sound about as good as the default channels on the Katana.
If you're a pub band player, a younger player, or just need something to chuck into the car to use as a versatile make louder box, give the Katana a go.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein