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I know which I'd rather spend the money on.
Then again...there's the experience of doing a mini-tour in Europe for less than the cost of a weekend break each. Possibly worth it? I'd imagine it's going to get more expensive soon...
...oh, and I think you may have missed out the cost of a booking agent?
Depending on marital status, also make your bassist aware the cost of the mini-break that they are not invited on may not go down too well with the spouse.
It's difficult - can be profitable if you sell out shows I imagine. I know theater shows can be like that. Massive risk unless loads of tickets sell.
I would be good if you had someone to split the risk with like a promoter or other band?
I'm hoping to play a couple of gigs in Germany at some stage over the next few months, so I guess I'll have a better idea. Has anyone else been over there recently and can report back?
https://www.youtube.com/watch?v=APBoYf73oz4
Quite a lot of European cities have Crit Air ( low emission zones) schemes so you'll need to check if you need those and purchase them ahead if you do ( you buy a sticker for a few quid offsetting your carbon emissions but there is a hefty fine if you haven't got one).
If anyone in the band collects Tesco clubcard points ( so rock'n'roll) you can use them against Eurotunnel, £30 worth for each £10 of points.
Based on reading the larger forums it does seem to be pretty much the UK as the only place where the venue wouldn't feed you. I've seen bands play in small town France and in Amsterdam and they certainly ate there, wether they paid for their food or not I don't know.
Four (?) people sleeping in a van along with any equipment sounds cramped and sweaty. In The Netherlands the police won't tolerate overnight sleeping in vehicles in unauthorised areas so something else to bear in mind.
Good call on the toll roads, didn't consider that. What I've heard recently from friends in the Netherlands, France, and Germany, is that things have gotten closer to the UK way of doing things out there. Could be scene specific I suppose.
The sleeping in the van thing I did to demonstrate that even if we were willing to do it Nirvana in the early days style... we'd still lose quite a bit of money.
Nope!
You don't need a booking agent necessarily. You can do it yourself. An awful lot of work, but I do have the contacts to do it if I wanted.
I think you're right on the "month's PR campaign" aspect - we'd be better off spending that money on PR campaigns, Facebook and Youtube ad's.
As for the experience of doing a mini-tour in Europe and considering it a holiday of sorts. I'd rather go on holiday with my wife and child in most cases!
If it's the latter then obviously you'll expect to at least break even, but I don't know how you'd turn a handful of gigs hundreds of miles apart (potentially to tiny audiences) into sustained growth.
I've done a couple of lengthy European tours but am out of date with the current situation, also it was with European bands - but we always had restaurant vouchers and accommodation provided.
My friends who still do it say France is pretty much unchanged and is still a rewarding place to gig, but you're in a genre I know nothing about.
Van sleeping is the default fallback, but it is not uncommon for struggling bands to announce they have no accommodation on stage and receive offers from new fans. It may only be a sofa or floor, but breakfast and bathroom facilities make it seem heavenly compared to peeing in a plastic water bottle.
Don't forget to pack a small stage essentials tool kit just in case. On that note make sure one of you has RAC/AA or similar cover if the hire van doesnt have it.
Have you thought of including a festival slot to give guaranteed income from one day?
*An Official Foo-Approved guitarist since Sept 2023.
It's a tough game these days trying to make any money from originals. People just don't value music anymore and have very short spans of attention for music they haven't heard before. Most of the artist I worked with in the studio built up big Youtube \ FB bases before embarking on even small UK tours ... otherwise the numbers didn't add up. Even then it was a case of keeping costs to the minimum ...one guitar and keys on the tour rather than the 2 guitars, keys and horns that were on the record. Lot of room sharing an minimal gear as everyone in one double cab.
I spose it's not done anymore but the way it used to be done is the band played covers and originals ... and the more fans you got the less covers you did until basically you were an originals band. I was in a band called Truffle in the early nineties and they did 2 tours of Germany and literally thousands of gigs using that process. Locally they were selling out 500 capacity venues despite the fact they never had a deal. Oddly enough 20 years later, High Roller, a German rock vinyl company re released all the stuff on vinyl and everyone made a tiny bit of money
My step son is 20, he's into shed loads of bands I've never heard of including a lot of American indie bands who tour over here. It's all done by building a large fan base online first I think then going for the tour
That's certainly how I came across them, and it's allowed them to push their own material more seriously to a wider, receptive audience.