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And not liking grandpa guitars doesn't automatically mean I want a "lime green Hyundai Veloster" either I actually like my guitars quite plain. But I've never cared about historical authenticity, and I don't really like a lot of what I think of as the "old fashioned" elements you get on a lot of guitars - scratchplates, sunbursts, overly dramatic flametops, bigsby's, contrasting pickup rings, zebra pickups, toggle switch rings on LPs, couldn't care less about nitro finishes etc.
So yes, as RichardT said, it's all about personal taste. It's just that the mainstream taste makes things like guitar shops, and reading forums like this (particularly most NGD threads) quite boring for me as they're chock full of stuff I just can't get excited about. And none of this is really a big deal, but the OP asked "anyone else bored to death by mainstream guitars?" and, yes, I am ¯\_(ツ)_/¯
There probably are companies making replicas of that kind of car now for the niche market who want one (so they don't have to urge VW to make cars like that which would be as senseless as urging those companies to make their cars more like a 2019 Golf).
As you say, personal taste comes in to it a lot more with guitars because they're used to make art so people are very specific about how they want it to sound so there will be a varied preference; just so happens the majority of people prefer older designs. Whereas with cars, the vast majority of people would rather have a car from now than from even 20 years ago never mind 60.
BTW, I think some of the things you listed are just purely personal preference and not really anything to do with old fashioned vs. modern. E.g. the early 50s Fenders didn't have flame maple or sunburst.
P.S. I like most guitars, especially the old fashioned ones and I don't get excited about guitar shops (or any other kind of shops) or NGD threads. I don't think you're missing out on much due to your preference, they're just relatively boring things
https://www.thefretboard.co.uk/discussion/139196/the-allure-of-the-headstock/p1
I totally believe though that all the young, modern, forward looking, technically advanced player aren't buying guitars from shops anymore. Most are having guitars custom made for them by luthiers or at very least having signature models made by manufactures that are not stuck in the 50's and 60's. There's even a better Strat made by PRS, and why would this even be a thing? The younger generation are not seeing the vintage guitars as the future and therefore they are looking elsewhere and not in the guitar shops.
I think this is because the shops do not cater for them in anyway. I personally know some totally amazing younger guitarists at the absolute top of their game, at the cutting edge of the instrument and not many of them buy off the shelf guitar models.
Now I'm not saying that they can't do what they do on a standard strat or lester, but they totally choose not to do so. Instead they treat the instrument more like a personal expression, as they do with their own playing. Kind of makes sense when you think about it. Like I said before, if you play what everyone else plays you will sound like everyone else.
I'm absolutely a fusionist at heart and for me that means using the lessons of the past, but applying them to something new. Forward looking and thinking. I own a guitar that sounds like a Les Paul, but is built and plays so much better. It's also got the correct amount of frets, 24 and has access that makes them possible to use too even though its a single cut away. There is no way a Gibson Les Paul could do what this could, even though the sound is the same. I'm also not talking about high gain pickups here, remember I'm a Jazzer at heart and turning the tone knob down and using the neck pickup is very good replacement for my archtop with this guitar.
My point is that if the big manufactures don't try to compete in this modern market that the op is right in that one day they will be obsolete simply by the music these instruments have been used to make becoming unpopular. The reason their attempts at modernisation has never worked is that it's so half hearted an attempt to capture the modern players that it's apart from ironically being a poor imitation of the real innovative part of the market, they're also really cursed by their double edged sword of being stuck in the past, appealing to older generations of people playing older music.
It's very similar to whats happening on the gig scene at the moment, where tribute acts have become the main attraction and forward looking original music has become hard to sell, but it doesn't take a genius to see that this will eventually kill live music dead.
For instance in twenty years time, what will a cover band be playing? Something from 50 years ago or what? Doubt it. It's the same reason there's no real replacements for the talents that are passing away every day on the news. There are no Jimmy Pages and Eric Clapton's to replace those guys, as everyone is way too focused on Jimmy Page and Eric Clapton to see the next Jason Becker or Steve Via or who ever and before anyone says anything, I'm aware that us guitarist have different hero's to the general population, but if in 30 years time you can imagine someone doing Ariana Grande or Stormzy covers using a guitar you're doing better than me? More likely a computer!
If you disagree, ask yourself this, do you know who Jason Richardson is, or Jan Zelhrfeld. Or even what type of guitar does Guthrie Goven plays?
To the detriment of what we do guitarists have always spent far to long only looking backwards and not using the knowledge of the past to design the future. Bearing in mind all this, I'm a Jazz guy at heart (although ironically Jazz is and has always been the most forward looking and backwards looking genre of them all (even if not the most popular (("Even God hates Jazz"(the Simpsons)))).
Right, rant over. You can now get back to your Minor Penatonics.