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Think the particular guitar as a vintage yellow one.
I had no clue about the brand of course, but it looked nice and if I remember rightly was £1500 - an impossible amount of money for me at the time, I'd just spent everything I had (AKA my student grant) on a 1970 Les Paul Deluxe for £320 .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I recall chatting to Chandler's about stocking such guitars, but they would struggle to supply me with any more than 1 or 2 a year - this was around the 86/87/88 period
Recall Phil Hilbourne, Geoff Whitehorn + Tony Hicks as early UK players - All musicians and not dentists or doctors - It is sad/wrong, that today they are perceived as a rich mans tool, by so many - Yet the initial interest in such guitars came from musicians, who were fed up with 'mediocre' Gibson Guitars of that era
Win a Cort G250 SE Guitar in our Guitar Bomb Free UK Giveaway
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
You are all welcome
I couldn't care less if PRS guitars are cool or not. I play in an 80s covers band - musical integrity and coolness are not high on my list. Having a fun and cracking night out in a local pub with a guitar that sounds great, feels great, plays great and stays in tune is most important to me!
I also play a Marshall, that's probably shockingly uncool too
interesting how such perceptions have changed
Having picked up a guitar for the first time ever in January this year at the tender age of 57 (bucket list) I had no idea about brand snobbery or even what constituted a good or bad instrument. I was very lucky in being able to try numerous different manufacturers and styles of guitar to basically find what felt and sounded right to me without having to worry about what anyone else thought. I came very close to buying a couple (both LP's) before picking up a friend's PRS McCarty 594, game over, it just felt and sounded right, as well as pretty much overshadowing everything else when it came to build quality. I've since added a Modern Eagle Quatro and can't see me ever selling either, as much as I enjoy looking at other makes and models GAS really doesn't exist in my universe.
Fashionable??? I honestly don't give a toss, I just know they work for me.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922