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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Body contours and edge radii are always slightly lumpen. On some examples, the body is of spread and veneers construction.
Chunkier frets plus 9.5" radius
Roller nut + 2 post modern fulcrum trem for smooth use + less tuning issues - Changed from Wilkinson roller nut to LSR nut early 90's - I don't have an issue with either - Roller nut less suitable for 11 gauge strings or heavier as you can' make them 'nut slots' wider as required
Lace Sensor p/ups have less glassy crisp highs - That is a good or bad feature based on your taste - I like them
Not sure when they changed but some necks have more depth, that I prefer - Some are a flatter modern C profile
Most are in the 8lb region - You might find some a touch less, but not the weight issues of a 70's Strat
Overall I like them
Currently, some are asking too much for them IMHO. There are 1000s of them out there and they aren't that desireable.
I like them (apart from the two post trem but that's easily sorted).
It feels and plays like a really well built strat. Neck is sort or a medium c (comfy but not too big), weight is not super light but not heavy either, frets are excellent, trem is great. I love the Lace pick-ups as well. I'm not sure they would satisfy the most discerning vintage purist but I find they really work for me. They look cool as hell as well.
You seem to be able to pick them up for 700-900 used (ignoring the silly hopeful BIN or Reverb prices) in half decent nick. Considering the price of new US Strat that seems like a bargain. Again, I have a sample size of 1 but the general consensus is that they're pretty good guitars.
The Wilkinson nuts would sometimes buzz like a sitar or something - only on the plain strings. I never figured out exactly what caused it, but it was only intermittent.
The early ones had Sperzel tuners, later they switched to locking Schallers.
The bodies had a "swimming pool" rout so in effect you could use any pickup layout. That was probably true of American Standards at the time, too.
My Strat Plus Deluxe (1989) had a Hipshot Tremsetter and (originally) blue/silver/silver Lace Sensors. Later changed to red/silver/blue, which I didn't like as much. I don't think the regular Strat Plus had the Tremsetter and the pickups were gold/gold/gold.
The pickups are low noise but, as was said earlier, I find the pickups clinical sounding. I prefer the sound of my newer (2003) HSS American Standard Strat.
My Strat Plus weighs 8.6 lb which is too heavy for me now, but my newer Start is even heavier at 9lb. I need to get a lighter Strat now I'm older and have back problems.
My Strat Plus came with a Hipshot Trem setter, which I removed because it felt like there was a 'notch' in the middle of travel.
I don't have tuning problems with either of my Strats with the whammy bar, so I'm not convinced the roller nut adds any advantage.
Although the pickups are low noise, my Strat Plus gives low frequency (almost acoustic like) uncontrolled feedback at very high gain settings when I'm right next to my amp at gigs. Whereas my other Strat is fine.
My Strat plus has sentimental value and I gigged with it for many years. It feels nice to play and I'd never sell it, but one day I might get the pickups replaced and strip out the TBX tone control, so it's more like my newer Strat.
So in summary: the hipshot trem setter, lace sensor pickups and TBX tone control are not for me. And the roller nut seems to add no advantage. Knowing what I know now, I wouldn't buy another one. But it feels like a well made guitar that plays well and could be turned into something I like (i.e. my newer Strat).
Echoing what @guitars4you said, the lace sensors, are smoother and fatter sounding against more traditional strat pick ups. Much of getting the most out of them is the realization that due to the very low magnetic pull, they can sit right under the strings. I can't think of many pick ups that change so radically in output and tone dependent on height.
I don't agree with the regular internet waffle about "sterile" sounding ( not even sure what this means in the context of music ) I use mine through various older Fender amps and there is plenty of articulation and depth to be had, especially by rolling the tbx tone control past the centre notch towards 10. When putting it through my Boogie MKIV, I find that going back to the centre notch tone position provided a lovely fat overdriven Strat at live volumes where my CS 56 and 60 strats, though lovely, get more interestiog to keep in check, to various degrees. ( BTW the CS60 is less glassy than the CS56, so everything is relative ).
The neck is as described, flatter and in the case of the 91 I have a fatter C profile. It is one of those guitars that can be set up with a very low action. I keep mine slightly higher as its just feels plain weird to be playing a strat without a bittof fight.
The roller nut is an Wilkinson, never had an issue with it, in fact I prefer it to the later LSR version. In conjunction with the 2 point trem tuning issues are zero concern. It's all about setting it up as intended.
I do love a more vintage Strat, but the Plus has its place among the better attempts to tweak the original design, hence the fact that they do seem to be rising in value as time goes by.
Yes you've remined me of why I got mine, which was because I saw Jeff Beck using one. I'm not sure if it was live or in a video (or both).
The original Jeff Beck had four gold Lace Sensors (two in the bridge as a "dually" humbucker) and the older version of the Wilkinson nut, with single rollers on the wound strings and double rollers on the plain strings.
The Strat Ultra was very similar, but had a double red "dually" bridge pickup (silver and blue in middle and neck). It had the newer Wilkinson nut with double rollers for all strings, an ebony board, a flame maple veneer top and a slightly different bridge with polished saddles and a push-in arm.
Thinking about it, you rarely see Beck Sig models these days....used or new - I've had 2 over the years, bloody great guitars
The original JB sigs are indeed great guitars.
I've had a few early 90s US Standards - I really like them (apart from that two post trem) but the prices are usually 'optimistic'... although I do recall saying that they were going up in price/value a couple of years ago, and got laughed at. They were £500 or less at the time...
But yes I've noticed often a 'zing' on such models
I'm not a fan of the trem setter and IMO they are better removed - It is not so much that they don't work, I just hate to set them up
http://xhefriguitars.com/page2.html
I've had a fair few of each over the last twenty years.
Personal preference is the later ones - got to be the lsr nut, mixed pups on the plus deluxe.
You also get a small neck on the later ones - 93ish I think. And they tend to be alot lighter too.
I had a very early strat plus which was amazing but then got another years later and it weighed a ton.
I have various strats, some for clean bell like chime tones etc, but this is my absolute go to for smokey SRV blues. I love it, Fender really needed to up their game in '87 or they were going to close down and the strat plus delivered and saved them.
I for one like the 2 point trem system and in the 90's with page and plant a strat plus was Jimmy's go to guitar, Listen to him utterly violate the trem in a Human Centipede / hellraiser fashion...
https://www.youtube.com/watch?v=UYGOsb6LeXs