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Aside from that usage, and some particularly large formats (20" x 16" colour prints), Polaroid was generally small and aimed at casual shooters who would otherwise be using Kodak Instamatic cameras - the instant print thing was the unique selling point.
About 15 quid for eight shots...
https://www.amazon.co.uk/Polaroid-Originals-Colour-White-Frame/dp/B075H4WWP1?th=1
Speaking as a keen film photographer, I have no use for such a thing - the cost is too high for what you get, and I have no interest in the cameras. There might be a case for treating them as an art form, or artistic medium, in their own right, but I have to say that they never interested me back in the day beyond the novelty of being instant. I went from an Instamatic to a proper 35mm SLR.
A younger film photographer might have an interest from the perspective of trying out Polaroid as a retro thing, or maybe as a manual and tactile version of instagram images, but those that remember the original Polaroid stuff maybe less so. If someone gave me a Polaroid camera and some film, I'd use it to see what I could get out of it, but I don't think I'd be buying more film after that.
It depends on the photographer, really. What age is the photographer in question, what sort of equipment do they use, and what sort of photos do they take?
Nomad
Nobody loves me but my mother... and she could be jivin' too...
It's a wonderful artistic medium that provides an opportunity for expression, no different from pen and paper, or the latest sports DSLR.
This thread is making very nostalgic for a Polaroid camera again. You're completely right about them not looking like any other form of film. When I used to shoot polaroids in the studio for clients my worst fear was they would say it's absolutely perfect, as there was no chance it would look exactly the same on the transparencies.
Tripod and/or tripod head
Nice camera bag
Light meter
Flash gun
Filter(s)
Studio gear (lighting, backdrop, etc)
Camera (mostly used)
Lens (mostly used)
New pinhole camera
Film
Vouchers / gift card for film processing
Books / training / workshop
Nearly all traditional style film cameras are second hand these days. New ones tend to be either cheapo things or well out of budget. For lenses, even the cheaper new options are probably out of budget, but there are plenty of good deals to be had used. Pinhole cameras are good fun and there are quite a few new within budget. Lots of choice in accessories new and used. Film and/or processing might be an option, but is maybe less of a 'thing' to give as a gift (it's a consumable). Hard to spend the budget on books unless they're an avid reader, but it should just about cover a short course or workshop.
As mentioned, it really depends on the photographer. A lot of stuff is also quite a personal choice - it's very much like guitar gear in that respect, meaning you'd have to listen carefully for hints or straight out ask them.
If you're thinking that a left-field camera is the sort of thing that they might be into, then maybe consider a pinhole. There are nice wooden ones available new, to suit various film formats. If they haven't done pinhole before, suss out which film format they tend to use and see what's available. There is also Worldwide Pinhole Photography Day, which is an event that happens every spring (last Sunday in April). Folks go out and take pinhole photos on that day and submit one photo to a web site, where they're all exhibited. No cost to enter, no prizes - all about participation and fun.
Nomad
Nobody loves me but my mother... and she could be jivin' too...
It is expensive, the stock is possibly too much for him to manage on a regular basis but I remembered that it does have a certain charm to the quality of the film - esp if you warm it up prior to use iirc. And then there were people who manipulated the developing prints into abstract designs (but that stuff is easily achieved using digital nowadays).
.boogieman said: Good point, although the physical process of using a different medium can be exciting.
I would also occasionally use the Polaroid back I had for my Hasselblad’s as a quick test when doing commercial jobs on transparency.
As with any film medium now I think if it’s your hobby then fair enough, use whatever you enjoy.
He’s mentioned Contax to me and I was surprised at the prices, esp for the Tix model, which uses APS stock which is substandard and hard to get hold of (and process I think).
He does have an old Olympus Pen, the half frame model and I’ve found a Yashica compact online which I think he will like.hollywoodrox said: I think one of the Duran guys bought out a book of Polaroid’s of tv snow (touring must have been boring).
@Nomad, thanks for the info re pin hole cameras. That seems like just the thing he would really enjoy getting to grips with, I’ll check those out in more detail.
https://rover.ebay.com/rover/0/0/0?mpre=https%3A%2F%2Fwww.ebay.co.uk%2Fulk%2Fitm%2F283684724702
I think the mini has more film options though.
If he already has a fuji digital it might encourage use.
If he wants a more automatic camera, I would suggest the digital he already has, or he could look at something like a Canon ae-1 p and just leave it in P.