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It's a pretty personal thing though. To me someone else doing it would/should just be a good starting point.
I think it's important to know what you want a technician to do - unless there's something particular about your guitar that's not working for you, or that you want changing specifically, a technician will just set it up to their tastes, and that can end up being further from ideal than what you already had!
Nowadays I try to do as much setup work as I can myself, and take a guitar to a technician if it needs something doing that I don't have the tools/ability for, like a fret-level.
Only the player knows how heavy their right hand is, how much pressure they use to fret a note and how far they bend each string. All of these factors play a part in determining the ‘ideal’ set up.
Adjusting relief, saddle height, intonation and pick-up height is not ‘that’ difficult. Learning to do it is something I think of as being part of being a player.
One of the things that we have found is that a small amount of fret levelling /tweaking enables a much better set-up, sometimes it's just adding a bit of "fallaway" into the upper frets that allows you to get the action you need
Many guitars have a re-sale value. Some you'll never want to sell.
Stockist of: Earvana & Graphtech nuts, Faber Tonepros & Gotoh hardware, Fatcat bridges. Highwood Saddles.
Pickups from BKP, Oil City & Monty's pickups.
Expert guitar repairs and upgrades - fretwork our speciality! www.felineguitars.com. Facebook too!
If you find one like that in a shop you've been pretty darn lucky!
A good shop set up should be playable but clean and no loose screws or bad connections or crackly pots. So totally serviceable and decent.
I've used, and still use, The Boss (Charlie Chandler) and have done since the 80s. For the last few years for some quick turnover or in-store fixes, it's been Alex at Guitar Guitar, Epsom and he's fantastic and local, too.
My best set up ever was by Neil McDonald who was once linked to Nightingale Guitars (basses) with Bernie Goodfellow. He stopped for a while as he was a working musician but I believe he's back doing them again and he's fairly local and a great guy. Me thinks a call beckons.
I've been using Feline since and the fretwork they do is amazing, I had a fret dress done on a 20 odd year old Strat and it plays so nice, several frets around the 12th-14th area gave me choked notes due to wear and tear but now they slide so good!
Apart from one set up at Andertons the above 2 are the only places that have ever set up any of my guitars.
I actually enjoy the post NGD experience of working through everything to get a great playing guitar. Most of it isn't really that technically difficult once you understand the relationship between each part of the process.
I can get one aspect ok, but another will throw it off.
+ feline does some fret wizardry as they mentioned, and will no doubt pick up on any aspects that are wrong and need sorting if they do, that I may not realise would have been causing an issue.
I had an Epi LP the other day on the bench that was close to unplayable - Purchased mail order from a shop and sold to a relative beginner - The starting point was so bad, the any change was an improvement - But in the end he was happy with the result, which was a guitar that was far more slick 'n' comfortable to play
Perfection probably doesn't exist on a set-up as we all have different taste about the final outcome - So you need to find out what the owner/customer expects - A Steve Vai slick speed machine, with 9-42 gauge strings, or an SRV high action with 12's
Most new guitars can be improved with time on the bench - Some more so than others - Only models like a Suhr, Tom Anderson, PRS USA core series tend to be about as good as it gets when taken straight from the case - Any change to such guitars tend to be a matter of taste
I do my own set ups these days, not brilliant to be honest but free and good enough for my purposes!