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It's a remarkably hard sound to duplicate - a strange combination of a fixed wah and an oddly 'harmonic' overdrive. The original recording was done with a random mic placement on a Laney combo, and a Morley wah pedal. ecc83 is right that apparently they couldn't reproduce the sound when they later tried.
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Try a Boss Metal Zone starting with the distortion fairly low, the bass and treble turned off, the mid full up and play around with the mid frequency - it's a long time since I used one but I think I managed to get something similar like that.
If the Boss is too expensive, Behringer make a copy - the Ultra Metal. Which is probably the pinkest thing ever made after 1990 .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I believe another key part of MK’s sound on that song is having a wah pedal before the drive, with the treadle rocked back a bit for a more nasal sound. Bit of experimentation and you should get a fair approximation of the sound.
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Gain pedal, light distortion and a crybaby wah. Takes some experimenting with the wah to find the correct static position.
if you wanted to get this sound out of 1 cheap pedal, I think the closest you’ll get is a Boss DS-2, which has the right type of breakup but also a nice mid boost.
I heard that he didn’t use a wah, and that it’s a cranked fender tweed, but he used a wah to recreate it live.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Nil Satis Nisi Optimum