It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
I'm sure this is already obvious to you, but I think of the diminished 7th chord as a dominant 7th with a sharpened root note. For example, C7 with a sharpened root note becomes C# diminished 7th. This is how I rationalise why I can chuck in a diminished arpeggio (a semitone above) over a dominant chord. Or an arpeggio built on any of its notes because (being symmetrical) the chord/arpeggio can take its name from any of its notes, as pointed out in the video.