I've been racking my brains recently over what it is I'm really searching for in a guitar.
I've got a LP, Jackson Soloist, Jackson HT6 and a Strat. I play these all the time though recently it's been my LP that's getting all the play time.
A friend asked me what it was I really wanted and I couldn't answer. I have no idea what it is I'm 'looking' for. Each guitar has its own unique thing but I don't think a guitar out there exists that combines all the things I love and want (but not yet had).
Any one got an idea of their perfect guitar? Or what would it be? Does it exist?
Comments
Hard to think of any famous pro musician, with a reasonably long career, that has stuck to one guitar - Don't say Brian May as he has multiple versions of that one guitar, plus I've seen him with an LP Deluxe and Tele for starters
If you can afford more than one guitar, then just go for it - No need to limit your choice - good policy as well to help drive up sales !!!!!!!!!!!!!!!!!!
Snowy White
Neil Young isn’t too far off either, if you allow the ‘back trouble period’ when he used the Gretsch and the Broadcaster.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Good call on Lonnie Mack - as far as I know
Perfect guitar: Telecaster.
Does everything. Stays in tune. Indestructible. Feels like home.
Starcaster
Regular style strat
70s style strat
Les Paul Studio
Epi Riviera
Jaguar
Squier Venus
72 Tele Thinline
Les Paul Jr single p90
I could lose the thinline, a Strat and maybe either the Riviera or the Starcaster if I felt I wanted to slim down. And the Venus if I was being truly ruthless. That's 5. You could argue I need a regular tele but I guess Jags have plenty twang.
I'd never feel comfortable with just 1, no matter how many different switches and coil taps and whatnot it had. I do look the idea of having "my one" and being associated with a particular guitar like our dear friend Brian, but I don't think I can manage it until I make it big (tongue is in cheek, here!) and stop having to play so many covers of different genres.
The problem is, I don't actually want loads and loads of guitars. I used to once when I didn't play as much but not anymore now I play loads. I hate changing strings and I forget when strings were last changed on which as I gig/use them all at almost random but regular intervals. Leaves me with bigger maintenance bills and evenings spent changing strings which I despise.
I owned from 17 an Ibanez Les Paul copy a Yamaha Dreadnought style all the way to 30 when i bought the PRS I never owned another guitar till my mid 40's now I seem to have something for all occasions none of them gets anywhere like what you would call proper use.
I also think these days if I go and see a cover band guitarists often seem to have a selection of guitars to suit the song. maybe different in original bands but these days it easy to have an endless smorgas board of guitars pedals and tones.
So knowing what you really want and sticking to it is very hard.
As I make the final move to Spain I am in the process of thinning the herd and often keep saying to myself I should go down to perhaps 3 guitars but then I drag them all out like Saturday and play one for a couple of hours and think that's useful or nice.
I even got the 2015 Les Paul Junior out to photograph and upon playing it found it way better than remembered and thinking why get rid, it would make a good modding platform and so it goes on.
So, for me, it's entirely possible to imagine living with just one. That's mostly how it has always been.
It's certainly possible for me to imagine living with just two (although I'd probably change one of the ones I currently have), plus a nylon string.
I have quite clear ideas in terms of ergonomics - neck shape and width, fretboard radius, frets, overall weight, the type of body contouring which feels comfortable, etc.
But then I'd want a mahogany one with a set neck and humbuckers, an ash one with bolt on maple neck and single coils, maybe a chambered one...
Many guitars have a re-sale value. Some you'll never want to sell.
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Pickups from BKP, Oil City & Monty's pickups.
Expert guitar repairs and upgrades - fretwork our speciality! www.felineguitars.com. Facebook too!
Each of my guitars (I have 12, but only 9 electrics that I rotate) has something going for it that none of the others have. Each has its own character, charms, limitations, and idiosyncrasies, and there are certain guitars that I only play at home and don't gig or rehearse with. My main 9 are:
2006 Gibson SG Standard
1990 Gibson Les Paul Custom
1988 Fender USA Telecaster Standard
2010 Fender USA Stratocaster Standard limited edition with Delta tone
1969 Fender Stratocaster hardtail
2003 PRS Custom 24
1997 Patrick Eggle Berlin Pro hardtail
1989 Epiphone Sheraton II (with SD '59 pups)
Yamaha Pacifica 611VFM
Each one feels, plays, and sounds very different. I rotate my guitars quite regularly. For the past week I've been playing my Telecaster, the week before it was my SG (with new Grover tuners) and Strats. it largely depends on my mood, and influences from seeing someone play a particular guitar or style on You-tube or TV, or listening to mp3's etc. Whilst it would be nice to have some older vintage guitars, some custom shop, a hand-made Feline etc, I consider myself pretty fortunate to have the wide selection I have that allows me to experiment with a wide range of different styles.
Of course having just one guitar can have important advantages too. You don't need to think about which guitar to play; you can (if it's the right guitar) truly bond with it intimately (I had that with my 69 Strat!), only one guitar to carry and store, only one guitar to re-string and maintain; and you custom build your amp & FX rig around just that one guitar. In many ways it can actually make you more creative because you have to learn to adapt and compensate for your guitars limitations. It's all very much down to each persons personal preference, playing style(s), musical preferences, storage space, and budget.
Electric solidbody
Semi-acoustic
Acoustic 6-string
Acoustic 12-string
And for bass -
Fretted
Fretless
Which is pretty much what I've got, except that I have one too many solidbodies. I end up making them all sound the same anyway - or trying to...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
It doesnt have the focused honk of an SG and everyone needs a strat because...