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I only ask because I've seen this kind of thing in his book, even though the Dorian mode doesn't have a raised 6th in it at all. It has a b3 and a b7...
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Looks like intervals are looked upon relative to Major, but characteristics relative to Aeolian.
major or minor?
If major, is it ionian or not?
if not, is the 4 raised or the 7 lowered, or both? Lydian; mixolydian; lydian dominant
if minor, is it aeolian or not?
if not, is the 6 raised, or the 2nd lowered, or both (dorian, phrygian or dorian b2), or is the 7th raised (harmonic minor) or the 6th and 7th raised (melodic minor (ascending))
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Yes, we are all conditioned to hear in terms of Major and minor, but only since the last 200(ish) years.