It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
The 'badness' is different from a late-70s one - it's by design, rather than due to poor quality. They're actually pretty well-made, but the bridge, pickups and electrics are certainly not what would now be considered a great interpretation of the classic Strat... and the neck profiles are certainly odd.
Late-70s ones can actually be turned into really good classic Strats, if you're willing to reshape and refinish the body, refinish the neck, tighten up the neck joint and probably replace the bridge - refinishing and reshaping the body takes off a substantial amount of weight too. The Elite cannot be re-worked in the same way though.
The other candidate I can think of for 'the worst Strat' is the 1980-ish 'The Strat', which has a more conventional bridge and electrics, but they're always ludicrously heavy, and the headstock shape is the ugliest ever put on a Fender - far worse than the CBS one even if you don't like that.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
You could have five or six screws à la MusicMan and the joint would still be unstable.
The 'sloppiness' was intentional - it was done to prevent the problem of the assembly worker finding a high-tolerance neck that wouldn't fit into a low-tolerance pocket. A CBS move to speed production and cut costs the wrong way... the right way is to tighten the tolerances for both pieces.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
And yes there is bugger all to do to the 83 Elites to make it even in the slightest decent - The neck shape is my biggest bug bear - Not like any other guitar let alone any other Strat
And yes, again - The 1980 Strat is poor - almost trying to out Might Mite with their own version and yes once again that headstock shape - I'm not anti the larger headstock shape, but that 1980 version is like a dad and son trying to make their own home built Strat project and getting it wrong - And I almost forgot about the additional rotary selector switch (PRS style)
But I'm still sticking to my guns that the Strat Elite was worse - Yet funnily enough they did a better job with the Tele Elite - Almost a 'copy' of the Schecter assembled Pete Townshend style - I'm not saying the Tele Elite was awesome, but it wasn't as bad as the Strat
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
And yes I recall selling all those mid 80's Jap Strats - The locking nut that had a 'wrench' from the side to open/lock
One of the great things about a good quality Floyd is that if the nut and the tension bar are fitted correctly, you can lock the clamps without moving the strings.
Even the Kahler one with the three finger levers was incredibly fiddly to set *just right* so the clamps engaged tightly enough to grip the strings but without needing rock-climber's finger strength to undo it again.
There is a good reason why the Floyd is really the Last Man Standing of locking vibratos...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein