I am trying to learn more about theory and one of the enjoyable and interesting exercises I do is to work out solos, tab them, and then write out the intervals underneath each tabbed note as the note relates to the root of the key. I then look at the various modes and figure out use of modes and scales and look for patterns in note selection.
Quick question. I am aware that I am now starting to look at slightly more complex songs and am wondering whether I should analyse the intervals as they relate to the key, the underlying chord (playing the changes) or actually both/either.
i would ask my teacher but keep forgetting!
An official Foo liked guitarist since 2024
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There are some tricks to doing this.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Revelation: Ooh, must be Dorian!
Conclusion: Dorian is where you have a minor i and a major IV.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Am I right in thinking that basically you need to know how any given note relates to the chord being played at the time but you always have a tonal ‘home’ ie the tonic of the 1 chord.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
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Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.