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Weight relief holes don't change the tone too much, but also don't remove a lot of weight. You get about 1oz per 1" hole. So gibson 9-hole weight relief gives you just over 1/2lb
Chambers affect the tone more, and are better at removing weight.
i aim for a body that is about 5lb or under at this stage... this one took extra drilling to get it there from a 9.8lb rectangular blank, or 6.4lb once cut out
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Obviously it's going to sound slightly different to a full body, there's no right or wrong either
I got my mahogany blank down to 4lb without the cap and stopped because I wanted to keep some mass
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Even without weight relief my 45mm blank might be okay as its density is around 500kg/m³
Its easier to calculate weight reduction when making it thinner.
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I'll weigh everything and see how much wood I have to remove.
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My top isn't carved yet so I estimated a couple of pounds for that which may well be on the pessimistic side?
I calculated the volume of my body (excluding control cavity but including pickup routes) and multiplied by the density of the wood.
I could shave half a pound by reducing the mahogany depth from 45 to 40cm but it looks like I'm going to have to chamber it in order to get anywhere near my target weight.
edit: i just weighed a custom style i am making with a full chamber similar to the green line on the blank above, except it stops behind the bridge before the control cavity. it was a heavier blank at the start. Ready for buffing with no parts, its coming in at 6lb 10oz... should be 8lb or under all in (no bigsby). I think the body slab was about 4lb on this one before it had its top
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I've been doing weight relief on LP’s for the best part the 30 years. I don't believe it makes any difference to the sound or sustain, the only real difference it makes, you don't end up with a damaged shoulder or back ache after a gig. The typical comment I get from customers when they pick up one of my Les Pauls “how to get a Les Paul this light and sound so good”. I’m now starting to chamber LPJ single cuts.
I will also have a test with a LPJ DC next, this is more to do with the difficulty of obtaining light weight Mahogany now at a sensible price.
This is the typical chambering I do on a LP. The mahogany part of the body is also much thinner then a typical Gibson body, this also helps to keep the weight down. The cross body wire run is also much deeper then it needs to be, again just to keep the weight down.
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I think the key is to keep the holes small and fill the available area with them, rather than a single large chamber which starts to have acoustic resonance. That’s why ‘Swiss cheese’ weight relief still sounds like a Les Paul, but the fully-chambered ones sound a bit more like a 335.
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same principle as weight reduction in Steel I-beams you can punch a lot of holes in the middle section before any significant stiffness is lost
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Also the honeycomb composites used in aircraft manufacture for the maximum possible stiffness to weight ratio.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein