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Ian
Lowering my expectations has succeeded beyond my wildest dreams.
and Kate Bush's The Kick Inside still gets played every week
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OK, I accept that the level of art in the Iliad and most hip-hop music is on a rather a different level .
But don't write off an entire cultural form just because most of it isn't particularly meaningful, either to someone from a different background or maybe at all. I expect there are thousands of ancient poets now lost to history because they had nothing memorable to say... and there's a huge amount of what we would more usually call 'music' that's total rubbish as well, right from the earliest classical period onwards.
The real surprise - which is what started this thread - is that there have been a few short periods when the average standard has been much higher. 1978 does appear to have been one of them, although I expect that if you listened to every record released that year you still wouldn't think much of at least half of them.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
A great song, I loved the use of backing vocals!
Ian
Lowering my expectations has succeeded beyond my wildest dreams.
When these genres started there were accusations of speaking over a beat - and even discussions at PRS about whether they qualified for song registrations (ie is it a song if it has no tune ?).
What occurred to me was just how clever many of the top line melodies are - very slight note variations that can easily become infectious earworms (some of Massive Attack’s whispered vocals spring to mind). In fact I think I learned to make my writing much less dramatic, and more linear as a result.
I also questioned ‘what makes a good singer’, when I realised that we just like some people’s voices, as they have character and resonance etc. Those lucky enough can almost get away with anything; as we want to listen to them...
I am not in that category, which is why I stay well clear of vocal duties !!!
The volume and variety of new music in those days was a joy. I don't know if things were like pre-covid but there was so much new music to listen all the time in those days.
1978 was also probably the beginning of the end for "light entertainment" acts appearing on TOTP.
For those who liked The Motors' "Airport", check out the version of "Dancing The Night Away" from OGWT, it's different class.
It was very much a formative year for me - the first three singles I ever bought with my own money were Clout - Substitute; Marshall, Hain - Dancing In The City and ABBA - Summer Night City. Friends in the year above at school had Parallel Lines and Tonic For The Troops, so I had awful quality cassette copies of those... done on one of those flat top-loading cassette recorders with an earphone that looked like a hearing aid .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
The guitarist, Mike Slamer, went to the USA and played with the bands Streets, Steelhouse Lane and Seventh Key (all good stuff, I have to say). He also (uncredited) played the guitar solos on the first two Warrant albums.
Singer Lol Mason went on to form a band called The Maisonettes. He died last year.
I think I own 6 as singles, plus I had the ELO, Kate Bush and Justin Hayward tracks on albums. I had the Saturday Night Fever soundtrack, but not Grease. Just reading down the list of 100, every song pops into my head, apart from 4 or 5 - and I'd probably recognise them if I looked them up.