Hiya, I've always been fine at transcribing and working out single lines but really struggled with chords.
Basically, I really like what Rabea is playing beginning at 19:11 here but can't figure it out -
That it's on a Baritone, in C and I don't have either a Bari or a capo is making it really hard to figure out what is going on.
My harmony is reasonable so, presented with the chords or notes, could figure out why it works.... I just can't work out what they are! Also, I can't seem to tie up where I see his fingers (looking for clues in the vid!!) in relation to what I'm hearing.
Is anyone who's really hot at this stuff got 10 minutes to figure it out or able to give me a rough idea of what's going on? I'm hearing what feels like G9/D to start, but could also be kind of a D6... argh!!!
I've started to listen to some stuff like Ry-X (for example) and this has a similar ambient, airyness and I'd love to start messing around with similar progressions if anyone has any good resources for this kind of thing.
Cheers!
Comments
G 3-5-x-4-x-x
Bm 7-9-x-7-x-x
Em 0-2-x-0-x-x
Am 5-7-x-5-x-x
G 3-5-x-4-x-x
D/A 5-5-4-x-x-x
G 3-5-x-4-x-x
Bm 7-9-x-7-x-x
Em 12-14-x-12-x-x
D 10-12-x-11-x-x
Dsus 10-12-x-12-x-x
A/C# 9-x-7-9-x-x
C 8-10-x-9-x-x
Then rest on G over B Then imply Am - G - A over F#
Basically a lot of it is taking 2 notes of a chord to imply it ... for example picking a D note and a lower B note at the same time implies a B minor chord but sounds more spacey and interesting.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.