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Comments
I would expect a veneer and refin would be much more obvious than the remaining visible holes.
If I would glue a veneer , I think , it would look really good and clean .
On the other hand matching the rest of the neck could be a challenge .
I will put tuners on and take a shot in a minute . Maybe it won't look as obvious as I think it is atm.
Definitely not going to be covered
Apart from ' killing' my eyes , mole holes , there is another issue of three different wood pieces pattern glued together , and if you look closely , there is a steel pin nailed in in far left corner !
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A veneer would work - is it mahogany or maple? Getting a good colour match between the ambered neck and fresh headstock might be tricky though. A stinger would be the traditional (Gibson) approach to hiding the flaws, if you are ok with that look.
the more experienced builders here would tell you how feasible that is
Doesn't look like you would need to route anything on this guitar as it has a nice flat transition into the neck already. Although that could be done if you wanted to significantly increase stiffness.
Depends on the guitar for me. On a junior I would go with matching wood, on an archtop I would use something contrasting and make a feature of it.
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http://www.thefretboard.co.uk/discussion/61134/sarge/p1
(formerly customkits)
Not sure yet , if to go with maple to match the neck or something that stands out .
Off to eBay to search for veneer
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I was incorrectly guessing it was something like a fatboy. For one of those I would have matched the heel cap and backstrap to tie it all together. that suits the big archtop look, wouldn't work here
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It is a bit Frankenstein job , but at least I like it more than it was before .