I'm currently working with GSP on a body and neck for a project. When I say working with, of course I mean issuing demands of and Graham is doing all of the work. Anyway, the guitar is koa top over roasted ash and I am planning to keep as natural a finish/feel as possible. I am going to use Tru Oil, but have only used this before with lots of coats to build up a bit of a clear coat. For those of you in the know, what is the best way to keep it as natural as possible, but still offering some protection? I'm expecting just a few coats and plenty of sanding.
To provide some context, here is where 'we' are up to so far. Yes I know 'we' have done a good job!
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As for "when am I ready?" You'll never be ready. It works in reverse, you become ready by doing it. - pmbomb
I would rub your coat on and viff straight off. You can try the method I describe in the really useful posts too.
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All that said I love Koa and was blown away a while back I think it was SC Relics sprayed one of Grahams Koa topped bodies and the wood just came alive for some straight-up clear coat nitro.
There is some nice figure in that top and not sure Tru Oil will pop it anywhere close to how that body looked and to me its always a shame to dumb down the look of Koa but I get it.
https://i.imgur.com/uniF6CH.jpg
Fast forward to the final polish -
https://i.imgur.com/i4gjRu3.jpg
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Used tru-oil & others - Crimson Guitars proprietary finishing oil & also just pure tung oil on its own - can be very effective, simple & quick for either a very raw wood natural finish or highly polished with a lot more elbow work.
Have also used Renaissance wax as another option, again a very natural finish with little work required, but no real protection from moisture.
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The roasted ash goes a lovely chocolate brown with the oil, there's no stain on that at all