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e|--------------------------------------------------------| B|--------------------------------------------------------| G|--------------------------------------------------------| D|-----------10--------12------12----10-------10---8-----8| A|-------8---------8-------8--------------8-----------8-- | E|--------------------------------------------------------|My question is about the "stretch" where he plays the 8th fret A string closely followed by the 12th and 10th frets on the D string.
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(Don't have anything useful to add, but yes, it's mostly about relaxing your hand.)
Then again, a lot of my band's stuff has chords that involve stretches which help with that, even with my stumpy little fingers, eg (somewhat simplified):
You might find it easier to practice a bit on the upper strings, and then move progressively down to get the hang of it.
Also: fixed the formatting in your post, because it was making me itch
Curse my stumpy little digits!
I think this is basically highlighting my complete lack of any proper discipline in my fretting technique. Shifting the guitar to a more "classical" position with it propped on my left knee and neck angled up instead of horizontal has definitely helped - I can definitely play it in that position.
I really need to make an effort to do this properly - particularly since I play bass too. I don't want to wreck my left hand and wrist with bad technique.
Possibly a strange comparison, but that shape reminds me of the Rick Parfitt 'pinky bounce' shape. He often appeared to tilt the guitar neck at a fairly steep upward angle, although that's possibly to compensate for his low slung guitar.
Try this.
Hold your hand parallel to the ground. Palm up. Spread your fingers as wide as they go. Now curl your fingers as if you are gripping a ball, see how the the gap between your finger tips decreases as they curl? Trying to keep maximum spread is what you aim for.
Try the same thing holding the guitar and find that balance point where you retain fingertip spread.
I can play the example you showed at the first fret, where the stretch is bigger, without any problems and my hands are not large.
Another thing I discovered, although not in that video is how useful your thumb can be and I've started using it to play the A string now rather than just the E string. I personally thing there's a lot to be said for using all the positions, as in don't always play with thumb behind neck but don't always play with thumb over the neck either. Keep mixing it up