I am maybe getting muddled here as I play by ear and what sounds right,so I may be missing something obvious,,
but have some knowledge of theory..
Sometimes the Phrygian Dominant sounds like the right scale,,sometimes the Super Locrian does..
It really does seem to be one or the other and it is obvious which..
I've obviously worked out I can use diminished 7th aprpeggios from 4 different places..
The major 7th of the one chord when playing over the V7 is an obvious first target which is the Major Third of the V7 chord...
The Augmented triad arpeggio on the V7 chord too and it's inversions,,playing of the Tonic the major third etc...
Is there a reason for the Phrygian Dominant vs Super Locrian,,is there some little rule I don't know about here..
It is obvious to my ear when I hear the music as a whole which one is right..
This usually involves trying both..
I am thinking,,I bet I am missing something embarrassingly simple here..
If we were talking E 7 sharp 5///flat 13..
The Parent Scales would be A Harmonic Minor and F Melodic Minor ascending..
Yes I know you can play whatever you want,,but there must be something here I am missing..
Comments
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.