In my long-running quest to get a bass I've been doing a fair bit of web-based window shopping.
As I have been trying to save to buy one, and my budget will be at the lower end, I have in my sights the Squier Bronco which I know a few on here rate quite highly (for a cheap bass).
I wondered what people thought of the Squier Affinity PJ basses. Are they any good? For about £50 more than the Bronco I can get a full sized bass which, to me, looks the part. Question is, are they OK?
I've picked that model out as it seems to incorporate some of the best of both worlds for someone on a tight budget.
Comments
The current Affinity model only seems be offered with the PJ pickup pairing. If you must buy one like this, choose black. That way, the empty LJ pickup cavity will not show at a distance.
Ultimately, you have to test drive these
basses to see how they suit your hands and ears.
On the subject of second hand, I find I struggle to pick out good priced ones second hand (talking ebay here rather than those offered on the forum). I find I usually gravitate to Squier, Epiphone, Gretsch when doing research based on looks (I'm never going to be good enough to appreciate a bass beyond the budget stuff) but the S.U.B. 'Ray 34 is going on my list.
It's probably worth mentioning that you can get the proper Jazz version for about the same price if you do like that type of sound.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I'm not sure I have a sound in mind for myself other than playing the right notes on my own recordings. I admire the Motown sound which I'm led to believe is a Precision sound. I've also played a Jazz, which I liked, but that was a Fender and therefore out of my range.
A real Jazz is better because the pickups are properly balanced - not as loud as a P, but you can then just turn the amp up a bit - and are a RWRP pair so they're hum-cancelling in the both-pickups setting, which is usually thought to be the definitive sound on a Jazz.
That said, if you like the Motown sound then a P would be the first choice - you don't have to use the other pickup.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I also wonder why they have stuck in an extra pickup - possibly to shift excess stock of pickups of basses that have slowed down sales wise?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I'm a guitarist and just use my Squier Vintage Modified PJ for bass parts when home recording. I almost always use the P pickup on its own. I occasionally use the J pickup for that Jaco type sound. In my DAW, I adjust the compression, drive and EQ to specifically suit the pickup I'm using (either P or J) and the sound I want.
It's not a big problem that the J pickup isn't hum-cancelling for home recording. But one day I might change the pickups.
Another option is to switch the P pickup to parallel instead of series, if you prefer the more J-like sounds - it then becomes much more like a J front pickup. (But still hum-cancelling.) You can do that with a mini-switch or a push-pull if you want both options.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I find that these pickups manage to hint at the Jazz Bass "honk/notch" sound if the J pickup is partially blended in against the full output of the P pickup. Unfortunately, this never sounds as good as a proper JJ pair.
Since what the J pickup brings to the combination is a mid range notch filtering effect, it might be wiser to use one P pickup plus an active semi-parametric mid EQ control to achieve the same overall effect.
The longer I think about this topic, the more the John East P-Retro wiring harness appeals to me.
Having watched what I consider to be an unbiased YouTube review of the Bronco I am edging away from that. I like the price and size, but believe I can get a fair bit more for not much more money.
I have to say that I find the Squier/ Fender product range bewildering these days. From what I can find, if I just want a regular spec Precision I need to go up to the Classic Vibe range, otherwise I have to go with a PJ style one. Is that right or is just the retailers I'm looking at?
Why?
Well I guess I'm not good enough to really get much out of anything but a decent budget bass at the moment. One mediocre review put me off the Bronco for a bit, but having considered what's been said on here, and considering cash and skill are in short supply for me at the moment, I took the plunge and PMT are hopefully sending me one over.
I will report back elsewhere on how I get on with it.