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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
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Often, the change to new strings throws out the initial auditioning of a modified instrument.
Next problem is the psychological need to convince oneself that the hundreds of Pounds of outlay was justified. (Honeymoon period.)
I have three main electric guitars on rotation for various purposes and can always use the others as a datum when changing pickups.
Similarly with tremolo blocks, the last time I experimented with them I was trying to replicate the unplugged tone of a great sounding Strat I already owned, knowing that I could fine tune with pickups very easily if the core sound of the guitar was there.
To be honest, with a lot of modding experience you don't even need another guitar in the room to compare it with, you'll often hear the elusive aspect of the sound you've been chasing immediately.
I almost made the mistake of selling an Eighties Ibanez using some DiMarzio pickups that were languishing in a drawer. My memory insisted that the guitar had sounded better with a trio of Seymour Duncan pickups. Reinstating the Duncan pickups confirmed this. I kept the guitar.
The elderly Ibanez has also been used to test drive assorted Oil City Pickups. For my tastes, the Masterwound vintage output ones sounded exactly as I hoped. The overwound single coils were of excellent quality but their tone did not suit that guitar.
FWIIW, the DiMarzio pickups are now in a Charvel Model 3, which they suit perfectly. The pickup combination is an unlikely one but it presents a bunch of sounds that I did not have before.
Also I was lucky enough to have a few guitars with the same pickups, so when I swapped them in the one guitar I could still try the same pickup in a different guitar, head to head. Yeah, I know, they don't sound identical in a different guitar, but it's better than nothing.
See, I thought I was just being lazy doing a few pickup swaps while keeping the old strings, but apparently it was a great idea to make it as fair a test as possible!
You need a datum to be able to do any comparison, the effect of a new set of strings can be a short lived enhancement to any perceived improvements, but there are plenty of people who have done any number of measured comparison videos.
I have to remind myself sometimes that Andertons, and That Pedal Show videos are all being played back through YT, the sound in the room will not be translated, and it is very hard to describe the 'feel' of a new part.
You may not remember exactly how it sounded in all situations, but there'll be particular sounds you either liked or disliked before, which you don't get now. Or new sounds you definitely couldn't get before.
After that, the new sound/feel becomes more familiar and you do forget what it was like before. And then it's a case of whether or not you're happy with the new sound and feel, based on their own merits.
Memories tend to contain relatively little information, particularly in terms of 'raw data', but instead contain the emotional responses, the 'gist' of a conversation, etc., the rest is reconstructed upon remembering; hence the impression of detailed memories, and the errors too. And every time a memory is accessed, it's likely to change. Of course, if you really do want to know, it's possible to set up stringent recording conditions, and then listen back, 'blind' to which recording relates to which condition until your conclusions have been made. But if you've spent a lot of money, that's quite risky...
I´ve never changed a tremolo block in my 54 year old life!
Nil Satis Nisi Optimum
if I’m still unhappy I may change again or get rid.
I know a fair few people who seem drawn to regret, interpreting each new learning as a mistake, a tut and a sigh
I always promise myself I'll A/B using a looper pedal - I've done it once and couldn't really tell the difference between a Seymour Duncan Jazz Neck and a Creamery Alnico 2 ... they are different but I couldn't discern it - I kept the creamery