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I used to buy a fair bit of music from session players back in the 90s, jazz fusion etc, and I ultimately decided that it was all too clinical and perfect. Perfect playing can just end up pretty sterile.
And I'd always strongly argue that you don't have to be able to "do better" before you're entitled to express an opinion.
But this is a bit different, he's commenting from the position of someone in their peer group so perhaps it is fair to compare with his own music. And he's standing on shaky ground there... although less so in 1994 when he said this stuff.
He is a special kind of breed for sure and coming more from the classical music background and less rock n'roll. Perfect pitch is a basic requirement in those circles, we can take it any way we want and justify not having it anyway we want too, but it ireally is what it is.
He is(was) a maestro guitar player, and that is why mags like Guitar World were asking for his opinion, they weren't asking him to comment on "the quality of the song", but on the guitar player.
He isn't always in the right, but he always gave props where props are due, saying this and that player are usually great, but this exact song is dubious.
We all look into certain things too seriously sometimes, I will still listen to a bit of Pantera with pleasure from time to time, while have no interest in Dream Theater after their 2nd album, no matter what YJM might think of it.
A lot of people diss YJM for how he plays right now, but bro, if you want to compare him to the guys from the article in question, than compare YJM in his prime, as all music from the article was when the players were at the top of their game, it would be the only fair thing, no?
And yeah, I'm an YJM fanboi :-)
If I'd done the same I might be a much better player now... although I probably wouldn't look like Hellboy in a wig and leather trousers.
By all accounts Graham Coxon is a lovely guy?
Maybe not representative of everything but after hearing that I imagine Coxon is a pretty good guy.
I wouldn’t be surprised if YJM has changed a little since, I think he was really into his booze and (allegedly) substances. I think the magazine knew he’d chat shit. Downbeat did this too, but the jazzers were much more polite.