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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
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Its a soft semi-gloss with some lacquer checking and a bit of grain sinkage, not as aged as I normally do. A lot of the red is now gone, ive tried to show it in different lights below. Fret bard is nicely dark, but still shows its grain. The fix in the top disappears from some angles and is more visible from others, but the eye does pass over it so I'm happy.
I am an idiot, and forgot about the narrow wiring channels in this till i came to put it back together. I had the perfect opportunity to increase them safely when the neck was off. I decided to break out the 10x400mm auger bit and drill all the way from jack socket to switch (this is how Gibson did the solid mahogany customs). This was a squeaky bum moment knowing the hole in the top came from an attempt to redrill the channels. Anyway, it worked fine and the guitar has been re-wired with braided wire now it actually fits.
Phil and I agreed it should have his last name on the top of the headstock, since its had at least 3 guitar builders input at this point. My name has replaced the les paul script
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Then i drilled 3 narrow holes into either side of the tenon so i could inject boiling water. I kept injecting and removing it to clean out the dissolved glue. You can also add heat to the tenon to help it along. The aim is to gradually dissolve and clean out the glue , not rush it.
You can also steam if you have a way to get the steam through a tiny needle. If you can do that, you can do the whole proceedure with fretboard on by getting to the tenon at a fret slot, under an inlay or from the neck pickup pocket
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