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Davey Graham
John Renbourn
Ralph McTell
Pagey
John Martyn
My favourite of the lot, Bert Jansch, did play OM style models in the 60s, but of course later on and since the 80s played a stock Yamaha dread. I have never heard such beautiful guitar music or guitar tone.
I guess it's not so much what you play as the way that you play it.
Not saying it’s impossible, but I’ve never seen anything like that on a Martin, and from what I do see, their QC is pretty good.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
However: I'm over 6 feet tall, and none of them has a narrow nut
The Avalon Americana one sounds great, not as lively as normal Avalons and Lowdens, less overtones, so good for getting a more focused sound with a more classical arrangement I find
The Goodall dread with Adirondack sounds amazing, but only after you thrash it with a pick for a few minutes, or put a ToneRite on it for 10 minutes. Basically Adirondack is very stiff, and doesn't respond as well to fingerpicking until you wake it up, straight after which it sounds great. To be honest, it still sounds better with a pick, it's off the scale with a pick.
The Larrive SD60 is a slope shouldered dread (12 fret), and this is the design I'd recommend trying:
nut is 1 and 7/8 inches (47.6mm), so wider than normal OMs etc
It's extremely responsive played in fingerstyle, often reviewed as a "tone cannon"
Do you still have the D35? are you able to try a tonerite on it to see if it makes fingerstyle work?
So I'd say - try a slope-shoulder wide nut, 12-fret dread
I suspect the 12 fret would be less of an issue for right shoulder movement too.