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Comments
I reckon Devo would have rocked them
I do like it a lot as a concept, but I agree with most of the concerns about its practicality.
I also do think that the designer has the same sort of preconceptions about other guitarists as he thinks other guitarists do about guitars... although it has to be said that I've often used the 'wrong' guitars for the type of music I play, so perhaps I am not who he's referring to.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
https://www.instagram.com/p/CVd_D6psDFW/
does make me want to hold off for a bit and let it mature for a few years
I'm not sure I would travel to try one.
Let's be fair, most guitarists are very conservative and they like the classic shapes.
Ken Parker made the Parker fly which for me was a real revolutionary approach to guitar building, it was light, made to last forever, used carbon fibre new build processes etc, sustained like nothing else, slightly wider board etc etc
I never tried playing a Parker but I picked one up once and nearly fell over because I hadn't anticipated how light it would be!
They later fixed both problems with the Dragonfly, but it was too late by then. I’ve never even seen one... but I’m probably not missing much - I didn’t like the sounds of the originals either, even though I wanted to.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Tend to agree with above comments about Parker - But if you'd have put all such thoughts/ideas on to say a conventional Strat style guitar then would there be any differential, at a quick glance as to say 'who you are' - But then you create a unique design and instantly turn off most of your potential buyers - Not an easy situation to solve
What I formulated as a theory that night was prototypes and first attempts often lack the smarts of the later tweaks and additions. I believe ground-breaking needs only to plant a seed in another inventor's mind. Because a thing is so new it won't understand the space it is in, it's real customers will need to find it.
When you remove pedals and amps from the equation, guitarists are by-and-large late adopters of new tech, that means our descriptions of what we want are "not wants" rather than "wants" which can be used effectively shape a product.. "not wants" tend to lead to many more "don't want that either", which means we don't get invited to focus groups.
I like the idea of moveable pickups, replaceable pickups - I'd like to adjust the pickups though and I'd be okay in a gig situation as I'm not that active.
Doug Wilkes did ‘The Answer‘ for Dave Gilmour in the 80's.
http://wilkesguitars.co.uk/instruments/the-answer/
A more recent effort was the Pole Position guitar https://www.trendhunter.com/trends/pickup-system
Despite being interesting & flexible, they never seem to catch on more widely.
I hate it. Having said that, I'm happy for anyone to churn out weird guitars if they want. Nothing wrong with weird and someone will love it.
The only bit I don't like is the headstock string paths.
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His Owl model has sliding pickups on a solid body.
Then we get more hollow versions with side ports
more recently you have "The Future", which is a very interesting body design, but loses the moveable pickups
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