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Type of technology, EQ, compression, and speakers are all going to make a big difference to how the amp responds to a pedal.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Except that the Micro Terror doesn’t actually have a ‘dirt channel’ - it’s a single channel amp. Are you sure that’s what it is?
Even if it’s a different model, it’s highly likely that the dirt channel is rather compressed, midrangy and dark - Oranges usually are. (The Rocker 30 excepted.)
Anyway, if you’re using a clean sound on the Yamaha and it sounds good, you need a clean amp with a much less middy tone to get a similar sound at band volume.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Someone on here was asking about what makes an amp good with pedals as if there weren't elements that contribute to that behaviour but IMO there DEFINITELY are. Any amp that as a dynamic/open/uncompressed sound and relatively open/broad eq will 'take pedals well'. A JTM45 or tweed bassman would be prime examples. Anything else needs something specific that works with some of the amps attributes eg an AC30 has a particular mid and presence focussed EQ and slightly compressed tone and that's why it can be picky.
All just my experience obviously. I'm guessing you're playing your Yamaha on the clean setting it's a fender blackface. About as far removed from the Orange set clean as you can get!
Are you trying the Gearbox pedal with the Orange amp? How does that sound?
I imagine the Micro Terror is not going to be a great pedal platform though.