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I've got a Fletcher humbucker (a Home model- basically an alnico 5 PAF) in the bridge position in my Framus superstrat, it's very nice indeed. That being said, all the UK winders I've tried (I've tried a lot, but haven't tried anywhere near all of them, either) have been very nice- I've been happy with all of them.
It's always hard to describe these things well, but I think the best way I can describe it is that A3 feels the most "do-anything". It's sweet and musical for your stereotypical middle-aged-blues tones, but holds together incredibly well under high gain - enough mids to still bite without being obviously middy, controlled bass so it doesn't get flubby, and smooth high end that stays clear but doesn't get harsh. Now obviously the wind is a massive factor in all of that, and I've only tried it in OX4 PAFs and Oil City T-types, but those characteristics ring true for both, I think.
@nacnudnai can weigh in more because they're his pickups I've been playing!
I've tried A3 in a good few contexts now, both neck and bridge - I've tried single coils, P90s, PAFs, more modern humbuckers and in a Charlie Christian-type. I initially tried it on the recommendation of Ash from Oil City, he said many of the good PAFs he's had experience with were A3.
A3 is excellent in both positions (obviously, if its in a good pickup to begin with), and the only similarity to A2 to my ears is the "bump" in mids. The highs and lows are quite balanced, and not particularly apparent. A3 PAFs sit in a good sweet spot. It has mids in the right place so it doesn't necessarily "sound" low output when in the bridge position - it will do well in a JCM800 setting, and will also be very happy with cleans. In the neck, it can often be very singlecoil-esque, but not in terms of the treble response. I've never considered an A3 neck to be particularly snappy, but it is just remarkably clear.
This is by no stretch saying that A3 is perfect, and it wouldn't be for everyone. Even though I said it doesn't sound low output, it ultimately will be pretty low output compared to an A5 with the same wind. I've also done mag swaps where I didn't think A3 was particularly well suited...and done some where it has transformed a pickup into something way better.
If you want an A3 set that can satisfy the bias for high gain tones, I would recommend the Oil City Riot Act as the starting point - it is the best A3 I've tried with high gain!
End of essay - good luck!
As I said, I've also only tried alnico 3 in Strat- and Tele-style singles- so I don't know how much it applies to humbuckers. I've got a set of tapped Strat singles with alnico 5 on the low strings and alnico 3 on the high- I guess that's about the best you can do for instant comparisons with the same wind, although it's still not perfect as they're on different strings. It does seem fairly subtle in that context, but that might just be the different strings.
What you said about the mids has me a little wary of alnico 3, though- one of the things (and I could be wrong about this) that seems to make a lot of humbuckers be one-trick ponies (especially hotter ones) is too much midrange.
That's very interesting what you said about mag swaps.
I'm not sure about the high gain thing- I do tend to play more high gain, but for the guitar I'm thinking about the alnico 3 pickups (a Patrick Eggle Vienna semi-hollow) I'm not sure I'd need it to be that suited to high gain, at least if it means the lower gain tones are worse. If it can handle high gain and still do well for lower gain stuff, though, that's different!
Thanks again for your help