I used to use a normal flat plectrum like these, around the time I was trying to see if I could play like Steve Vai
I could never play Eugene's trick bag more than 60% of the speed that Vai can manage
Then I read one day that some of the best players use smaller, thicker picks to have more control
After some experiments I switched to the 3mm Stubby
I feel it slowed me down, and makes me decide more carefully what notes to play, and I play with more subtle phrasing, more of a Dave Gilmour approach rather than Jimmy Page, for example. Sometimes I rough up one edge to make it easier to get the harmonic screech effect often used by Billy Gibbons, although I can do that (with a little more effort) without roughing up the plectrum
On acoustic I switched to playing with nails and skin for many years. I'd tried plastic plectrums, wood, and many shapes and sizes. Recently, I bought an amazingly good Brazilian/Adirondack Dread, and got the old big thin plectrums out to try, it sounds great playing the big Neil Young and Roy Harper pieces, the thickness of the pick makes a big difference though, so that needed fine tuning
I realised recently that with some of the higher-gain OD tones on my Axefx, the pick noise can get loud, and that using a large, thinner pick can help reduce that pick noise sound, albeit encouraging me to play a bit more sloppily.
The biggest dilemma for me has been how to play bass when I've got fingernails on my right hand to play classical and acoustic. I tried playing with my thumb, which made a nice sound, but is very slow. I tried silk gloves, but they wore through in about an hour. I tried felt picks, and other large ones.
I had a brainwave recently, and decided to try one of those coated DIY gloves on my right hand, but they are a bit too sticky
I was having a play with my new 5 string bass last week, and tried using the 3mm stubby.
I was really pleased - lots of control on timing, volume and tone
Does anyone else use 3mm stubbys for playing bass?
What other plectrums should I try for bass?
Comments
I played bass and nylon string classical guitars exclusively for years.
I can't play single strings with a plectrum. I really struggled on electric until I realised Andy pgs used his nails like a pick. Thank you Andy.
1mm Nylon seems to be a good all-rounder when mixing strumming with flat picking.
Live, recording, or playing with others I've come to prefer the percussive attack and edge of 0.6 or 0.73mm Tortex. Cuts through a mix much better than Nylon. Other guitarists have encouraged me to try a thicker pick for a 'fuller' tone but I find things get too thick and boomy with little of the crisp rhythmic attack cutting through. I also prefer the feel and response of the thinner Tortex picks when playing rhythm, especially snappy muted parts.
I think it depends on the style of music - thick picks sound right for bluegrass but not for pop, soul, R&B and funk rhythm IMO.
For electric I like 0.88mm Tortex (the tone perfectly matches that of my fingers when hybrid picking). For me it's a very dynamic pick capable of soft warmth with a light touch and good attack and edge when digging in. If I want a brighter attack I'll use a 0.73mm Tortex.
Acoustic: 50% fingers, otherwise Fender heavy tortoiseshell or occasionally yellow tortex
Bass: fingers 98% of the time, yellow tort pin those 2% of times
The above is all for home playing when I'm being "me". If I'm playing covers with a band then I'll use a pick much more of the time
0.46 Dunlop Delrin 500 for the rare occasion I use one on bass.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
V Pick Jalapeño or Dunlop jazz ultex XL on acoustic
Tip of my first finger on bass
For acoustic I find I either use daily thin eg 0.60mm for strumming or pretty thick eg 1mm+ for picking. I find the tone difference more pronounced in acoustic
I use a red Tortex for acoustic strumming. 0.50mm, I believe
As for "when am I ready?" You'll never be ready. It works in reverse, you become ready by doing it. - pmbomb
I have tried most of the rest and I prefer these FWTW