Last night I played a wedding gig on bass. The guitarist uses a rack Kemper and wireless unit into a Laney powered cab, Once set up he found he was getting a terrible buzz which got worse the higher the gain. After swapping guitars and leads and eliminating the wireless unit it became apparent that the problem was with the Kemper picking up either RF or mains-borne interference. We tried switching off different lights but to no avail.
I carry a Digitech Bad Monkey in my kit in case a guitar amp goes down, although I’d never had occasion to use it like that until last night. It’s basically a Tube Screamer with an added bass control but it also has an extra output socket marked ‘Mixer’ which features speaker simulation. The guitarist ended up playing the gig just on the Bad Monkey straight into the PA.
Gig saved!
Comments
Something like the BM is great for that
In this pic you can see the unused Kemper and floorboard to the right, and between them the heroic little BM. The guitarist checked his Kemper when he got home and it was fine!
I've also always carried a 'last ditch' backup pedal - something small and preferably battery-powered that can be run into any available amp (guitar, bass, keyboard, whatever) or the PA will get you through even if the sound is less than ideal. It's quite surprising that if you keep the distortion low and turn the filter up full, a Rat actually sounds tolerable DI'd into the PA with a bit of EQ tweaking.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
oh - and my immediate reaction on seeing that pic above is...yuck ...tiled floors... ouch.
I'd be in for a rough night - harsh sound / reverb immediately turned to 0 on amp ...
and weddings...relying solely on a Kemper... blimey - does he like to live dangerously...?
Send him this thread
The tile floor wasn't a problem as the guests were up for dancing all night and did a great job of soaking up reflected sound.
I think the guitarist is going to bring a cheaper multi-fx (with amp modelling) to future gigs as a spare!
Due to the well-known psycho-acoustic effect that a very slightly quieter sound sounds *worse* (tonally) rather than quieter, the two things together become “tone suck”.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I'm too old to schlapp heavy amps around anymore, and with all the new fangled bells & whistles gear around, and even though I like my little Pod Go, I'm still sticking with my Vox Tonelab SE & LE for gigging. Both still sound great, and dead easy to use and neither has ever let me down. I also have a little Tonelab ST set for a few core sounds that is my 'get out of jail' pedal that will get me through a gig in an emergency, that I always take too.
A failure of my Pod Go is something that's on my mind all the time. A friend of mine in a Who tribute turned on his Helix for soundcheck one night at a theatre and it wouldn't boot up properly. Luckily he was only about 30 miles from home so was able to go back and get an amp. A lot of the time I am 60 to 250 miles from home so that's not an option for me.
I carry an overdrive pedal and a little Korg amp works. Worse case scenario is I can do the gig with a basic clean and dirty sound and a lot of volume knob action. I certainly wouldn't go gig with no back up at all. When I'm working closer to home I have 2 amps in the van