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The CAGED system is not the be-all and end-all of finding your way around the guitar fretboard, it’s just a step on the way. I used it to learn my major scales early on in my playing - it helped me to sight read and to play by ear. I rarely use it now but I still know where all the notes are on the fretboard.
The ‘point’ about communicating with other musicians is completely irrelevant to CAGED, it’s more about musical literacy in general.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
But John Frusciante is often said to be a CAGED player, the chap from Anyone Can Play Guitar says he sees the fretboard in terms of CAGED. I have been making a poor attempt at learning the solo from Santeria by Sublime and I can see how that follows a CAGED pattern. So, as an act of faith it works well for some people and that the combination of CAGED and a decent understanding of theory opens the fingerboard up. If you want to be the fastest metal player or the gnarliest bluesman it's probably just a diversion.
You probably don't need it because you have other ways of thinking that work for you. I have my own way of thinking about CAGED but, as you know much more about music than me, I wouldn't feel worthy of explaining it to you
the C - is that like playing an open C chord? And then are you supposed to play a C chord in the A-shape, on fret 3; and then what’s the G shape? Is it 875558? By doing those three chords, and the next two, am I “doing CAGED in C”? And are you supposed to play the bottom E string all the time (apart from the D shaped chord)?
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.