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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
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2 hours of music on the theme of love in general, from the 16th century to the present day, piano all the way through and a few singing - Always A Woman to Me, Songbird, Greensleeves, Thinking Out Loud etc on the vocals, loads of stuff on just the piano with folks singing along.
There's not many gigs where you get to do a Tudor ballad, some romantic era classical piano, music hall, American song book jazz, 70s pop and rock, Disney, more recent stuff, all in the same set. Good fun
In practice, I usually do about 2/3 of the show on bass.
Set my gear up last night and managed to unlock THE best guitar sound I have EVER achieved in all the hundreds of gigs I have played.
And how many songs did I end up playing guitar on…?
Zero.
Tonight's gig at Stoke-sub-Hamdon Working Mens Club will be better.
My band - Crimson on Silver For sale - Blackstar HT-5S
Gear - Guitars, amps, effects and shizz. Edited for Phil_aka_Pip, who is allergic to big long lists.
My band - Crimson on Silver For sale - Blackstar HT-5S
Gear - Guitars, amps, effects and shizz. Edited for Phil_aka_Pip, who is allergic to big long lists.
It's all a blur and my fingers and feet hurt now! Lots of drinking, lots of dancing, lots of £££ for more gear!
Some seriously red bellies in the crowd though, lads with tops off drinking cider all day in blazing sun. Bet it hurt in the morning.
For all your Oasis Tribute band needs: https://www.facebook.com/SupernovaOasisTribute
I'm local to you, where was the gig?
Ironically, similar thing yesterday, started out with slight applause, then that trickled off to nothing. Outdoor gig, no shade, ended up mildly cooked. I did have some nice comments afterwards, but just during the gig felt a bit pants.
My band - Crimson on Silver For sale - Blackstar HT-5S
Gear - Guitars, amps, effects and shizz. Edited for Phil_aka_Pip, who is allergic to big long lists.
My band - Crimson on Silver For sale - Blackstar HT-5S
Gear - Guitars, amps, effects and shizz. Edited for Phil_aka_Pip, who is allergic to big long lists.
However, I have finally resolved to ignore all helpful input from the many highly experienced sound engineers in the audience because it inevitably fucks the mix more than it helps in the second set.
Doesn't help that our audience often contains a good slug of friends who also play. But from here forward it's smile, day thanks, and fiddle with the DFA knobs for a happier life.
Birthday do on the Friday, the area it was in always brings a fun crowd and we had a good few people up and dancing which was nice. Nice venue with a 'wide' stage, so plenty of room for us to spread out a bit. Our dep drummer for that night was grand, good fun and easy to find a good rhythm with (pun obviously intended).
Saturday was a charity fundraiser, which we've done the previous 2 years. We'd always played indoors which was fairly cramped but were in a marquee next to an estuary that night. Lovely backdrop and everyone brought their A-game. We had a belter of a dep drummer that night who gave us very high praise (especially to our singer and myself which was a nice ego boost), which is always a nice reassurance when you inherently focus on the negative aspects of your own band's sound. It ended with people dancing on the chairs and tables and singing along and we were about the tightest and most balanced, sound-wise, we'd ever sounded.
Sunday was a miscommunication, essentially. Supposed to be booked for the bank holiday Sunday but both the venue owner and our band member got that date wrong. Worked out alright though, we started early and finished a little ahead of 11pm which was nice for a school night. Again, dep drummer, but someone we've played with before. He hits them bloody loud so our overall volume was up a bit and, in my opinion, we might have lost some fidelity, but the crowd danced throughout and no one complained about volumes. Very glad I wear plugs, however.
Was tired Monday, though fortunately I had the foresight to have booked it off work.
Sleep is for the weak.
In other news, it was the first exposure of my Brunetti Maranello Black Top to a gig setting. I left it in triode mode at a 'measly' 5 watts, which, coupled with it's 'paltry' 94.3db of sensitivity through the Jensen speaker was still plenty loud. I debated turning it to the 20W pentode-driven but it coped absolutely fine at 5...