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I finally got the ToneX One out the box this week and threw a bunch of Amalgam and Dumble profiles on it. Took it to a friend’s house so he could try it (he’s got a YouTube channel, so potentially going to review it). Working out how to switch to the other 15 profiles just wasn’t happening, so I definitely need to sit down with the manual and get to know it better. The main controls are user friendly and I think they smashed it out the park with the format / controls, but I was struggling to work out the more advanced controls without using the app.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
This is also very true. The more recently released Kemper Player looks like an excellent bit of kit though and is much smaller / cheaper than its bigger predecessor. I figured they’d be killing the market with that, especially with how establishes the captures are already for Kemper. Were they too late with it, or was the pricing off?
As for Quad Cortex, the Neural DSP marketing campaigns are second to none in this space. Have they focussed too much on their plug-ins? I not seeing as many of them about as I thought I would. Still very keen to try one though - the form factor, weight and routing options are absolutely perfect for my needs.
Crazy to think you can have multiple presets of Noise Gate, Amp Capture, Compression, Modulation, Delay and Reverb in a mini pedal format and power it off a simple power supply (or usb).
If it’s the rotary from their T-Racks and Amplitube software, then it’s the official Hammond licensed algorithm and it’s as good as anything else out there. There’s now also additional reverbs and tape delay.
Does this change everything (*insert popular YouTubers here*)?
When you see the app for the Nano Cortex it just looks so EASY and INTUITIVE, dare I say ENJOYABLE?
I've got a Spark 40 amp and the app for that is a cinch to use (when it works, which it doesn't always).
I can't see myself using the delays, though...with no way to tap tempo, it's not a huge amount of use to me. The chorus might let me free up space on my board, though...
What a world. Soon, the Fractal Audio MX1: attach the mini-pedal sized unit's soft pads to your temples and let your brainwaves do the rest.
I’m using the Quad Cortex more these days, but was using the bigger ToneX’s within a midi rig. Even with an 80’s show with a lot of complex patches I haven’t used tap tempo delays yet. I know it’s a very popular feature, would love to see what context it gets used. I’m guessing gigs where the drummer isn’t playing to a click / varies the tempo of a track a lot? Or is it more for gigs where you have just a few patches and need to manually control delay times? Personally I don’t mind the delay time being off with the tempo for most styles.
On the other hand, I've got the Keeley Eccos, which is a standard-sized pedal with tap tempo. That's about the best interface for my current purposes, and the ONE just A/Bs between rhythm and lead.
I'd been under the impression that the UA Ruby would sound "better" but it's just not the case, I honestly prefer the free AC30 and AC50 captures from Amalgam Audio. The fact this costs around £150 is bonkers and I've not even tried the stompbox captures yet.