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the serial number does match with the little certificate but that says custom ,not custom shop .
heres an original thread I read a few days ago about the difference
https://www.jazzguitar.be/forum/guitar-amps-gizmos/84184-what-exactly-memphis-custom-shop-gibson-es-335-a.html
It's not in spectacular condition but that may be because it's had the shit planted out of it because it's a great guitar.
Shame it’s in Edinburgh might put a lot of people off seeing as it’s collection only
However, it also had a Custom Shop decal on the back of the headstock, and the serial was ink-stamped rather than stamped into the wood like this one. But I don't know what specific differences there may have been between models and years.
Often, not always, there is a confusion between Custom and Custom Shop - Many will 'somehow' turn a Custom into Custom Shop when they offer it for sale - Either deliberately or unknowingley - But look carefully on any label or COA and you should see it state 'Custom' and not 'Custom Shop'
You'll see many 335 Dot Reissues listed as Custom
As an overview, most Custom Shop models are 'vintage' replicas tied to a particular year - ie 59 dot, or 63 block etc - But a production 335 dot, be it with or without a 'Custom' label/decal might have 'old school' details like Mickey Mouse ears and dot inlays, but are not tied to a particular year
But don't take the above as the answer to all queries as with Memphis and Nashville they have created confusion and I believe some started off in one factory, yet when to the other for competition
Wonder what you’d think quality wise compared to the current es 335 satin ?
They both seem very nice . It does say hand bulit by Gibson custom by highly skilled artisans
But are the regular current ones built the same way ?
Both were well made but the older Memphis one is lighter, more resonant and sounds far better.
As with all things gibson, it doesn't really matter where it was built. There are gems to be found across all years and factories.
My best Gibson is a 2012 aged R8 that most people wouldn't touch with a barge pole. But it's the best LP I've ever played.
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