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Axe_meister
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But there's also dissonance coming from this rhythm part (line cliche?):
x-x-7-7-7-x
x-x-8-7-7-x
x-x-9-7-7-x
x-x-10-7-7x
(then resolve to the G and D)
As you say, the second solo progression starts out as: | D A# | G A# |
Then it moves on to something like: | D A# | G/B C |
So, again, you've got that ascending line A* A# B C
* if you throw a fifth in the bass of the A chord
However, you look at it, general craziness with a D blues scale is what's on the record