Saw a Facebook post on a Friday at 5pm for a rhythm guitarist needed that night and the next day . I ended up doing the Saturday.
I had a setlist but no comms about my experience, gear (apart from please bring guitar and amp!).
Everything was totally on trust that I could play it.
in fact until I saw their physical gig Setlists I was unaware of which songs I was starting including the first one.
To be fair I did enjoy the challenge and the gig .
The next week I then saw the same band advertising for a dep lead guitarist on the gig day !
is this constant moving line up now a thing?
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I did one last summer for a band who are good mates, but there are a couple of local bands who don't have a permanent guitarist and only seem to use deps. They only seem to do shit gigs for £150 though, so I always say no.
I get zero pleasure from people who've never met each other limping through dad rock covers tbh, as either a player or a listener.
There was a time when I was only gigging and teaching and I would play and dep for anyone. Some bands were pretty ropy and there were songs where they were all playing parts wrong in the same way which meant I had to listen and go along in the wrong way too just to stop it sounding even worse. Did 9 gigs in one week once in 2016
I still do dep but only at short notice. I'm not gonna put a £100 to me dep gig in the calendar and then have that stop one of my main bands earning us £250 each, but I will jump in at short notice if there's nothing going on, there's an earn in it and it's localish or they pick me up.
Most of my fellow band members did short notice deps in another band that played a fairly similar set to ours. The band was run by the guitarist so I didn't; I think he was a bit of an arsehole but good at pushing for gigs and the line up was whoever he could get on the night. Just playing a paid gig with no rehearsals his personality didn't really come into it as much so that was fine. Between his personality and delivering some poor quality gigs it fell apart eventually.
I also play in A few tributes to different bands, but they are much easier to dep. Every tribute band plays the songs like the record.
Second time an old friend and drummer called me and started chatting about a gig we could pull together and what we might play, we rattled off songs we’d done years before etc. before he announced the gig was that very eve! The bass player he’d called in was a heavy rocker and sang some lead, I was more pop soul and early 70s rock at the time. So we sang song each of us knew and backed the other for their choices. Bit of a car crash but I think we pulled it off. Oh and it was up a big staircase in the days I had a Marshall and a pair of JBLs which really didn’t endear the situation to me.
I’ve done lots of Dep work since usually from folks I know or on recommendation. Mostly they go very well and are organised.
easy enough I thought. Well as a bassist you obviously want to lock in with drummer so was trying to get eye contact whole of first set, but he would look at me occasionally and generally ignore me. He then dropped a stick and grabbed another very quickly. At end of song I picked it up and said here’s your stick, and watching his hand flail about trying to find it was first time I realised he was totally blind. Felt a right twat.
On the whole, things have been fine. I have only had one guy who really wasn't very good - I am much clearer in my adverts now if I have to use a dep.
Over the years of gigging regularly, I have built up a number of contacts of guys I know I can use if one of my regular guys isn't available, but every so often there's a gig that it seems none of them are available for, or one of them lets me know a week ahead that he's been struck down with illness.
Only ever once had to find a dep on the day of a gig: my then-drummer's wife went into labour. Fair play to the guy, he was going to honour the booking if we couldn't find a replacement. Fortunately we did, and making that phone call to my regular guy AS HE WAS WALKING OUT OF THE HOSPITAL to tell him, "Hey mate, STAY WITH HER, we have sorted it!" was an especially special moment.
Emails swapped. 40 tunes to learn in 2 days, that time also being used to get from Garcia’s native Spain to Sweden.
Gig rules… first two shows he was allowed charts, then memory from then on.
He met the band at the soundcheck on the afternoon of the first gig.
This was the set from the London gig. It’s about as far from a 12 bar blues dep as I could imagine.
https://youtu.be/i1pNI9T94RU?si=ZLTX3sq1TATYmrkz
What a legend!
Fancy a laugh: the unofficial King of Tone waiting list calculator:
https://kottracker.com/
That’s a level of ability several stratospheres above anything I could ever hope to achieve.