Budget mic for recording acoustic guitar / banjo

What's Hot
I've got a focusrite solo and reaper and a tiny box room with some noise outside, what is decent, I'd love to keep it on the cheaper side (behringer clone) for the moment 
0reaction image LOL 0reaction image Wow! 0reaction image Wisdom

Comments

  • droflufdrofluf Frets: 4876
    A guitar doesn't care how good you are, all it asks for is it's played.

    Trading feedback thread:https://www.thefretboard.co.uk/discussion/172761/drofluf

    0reaction image LOL 0reaction image Wow! 1reaction image Wisdom
  • TheMadMickTheMadMick Frets: 268
    I've found the Rode M3 incredible value for money. I bought mine at just under £80.00 which given what you get in material and quality seems incredible to me. And you can power it with a 9v battery - no need for phantom power. Also very good for vocals.

    I still have a couple if you are interested?
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • ZonularZonular Frets: 66
    @TheMadMick cheers for the offer, won't be buying anything to soon (January is still a long month
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • BillDLBillDL Frets: 11025
    On a budget?
    I have found the Behringer C-3 condenser microphone is a very capable one for a small outlay:
    £41.60 at Gear4Music:
    Normally £40 to £50 but on sale at Andertons for £34:

    Note: It requires Phantom Power, but your Focusrite Solo has phantom power.
    0reaction image LOL 0reaction image Wow! 1reaction image Wisdom
  • ZonularZonular Frets: 66
    Thanks for the recommendation!
    Im debating between the behringer sl75 Vs the c3 (the c2 pair is that worth including in the debate?)
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • BillDLBillDL Frets: 11025
    Behringer is no stranger to making affordable but very good copies of existing quality items, so the C-2 is most likely modelled on something by AKG or Rode but built a little bit more cheaply and without the badge name.

    Going back a long while, the "go to" microphone for recording acoustic guitars was the AKG C1000.  It did a good job but was versatile enough for lots of other jobs (they still make it as the C1000S many decades later), so most studios will have had a few.  The problem with mics is that "good" is subjective.  You will now see YouTube videos sitting side by side where one is captioned "AKG C1000 - probably the most hated microphone ever?" and the other "AKG C1000S - The only mic you will ever need".  It's a minefield, but I don't think you will go wrong with the ones you are currently debating.
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • ZonularZonular Frets: 66
    Cheers mate, sure is a minefield 
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
  • droflufdrofluf Frets: 4876
    Don’t overthink it; get yourself one of the recommendations from here and use it for a while and work out what you like and don’t like about it. Just because I think a particular microphone is “perfectly balanced across the sound spectrum” doesn’t mean that you won’t find it lacking in bass. 
    A guitar doesn't care how good you are, all it asks for is it's played.

    Trading feedback thread:https://www.thefretboard.co.uk/discussion/172761/drofluf

    0reaction image LOL 0reaction image Wow! 1reaction image Wisdom
  • BillDLBillDL Frets: 11025
    Agreed.  The actual placement of a microphone is probably as important, if not more so, than the actual microphone - as long as you have one that's fairly well suited to the application.
    0reaction image LOL 0reaction image Wow! 0reaction image Wisdom
Sign In or Register to comment.