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But like Stuckfast says, it could also be in F#m and you’re hearing Bm - F#m progressions (iv - i).
It's interesting how we sometimes hear these things differently. For me the melody seems to resolve more on the Fm chord so I'm leaning towards that as the I chord. But I don't think it really matters; the key ambiguity ensures that there's always an element of tension throughout the song.
So in theory there could have been an issue with the turntable used to record the 45 to a digital file where there was a pitch variance and maybe some wow and flutter.
No idea, but this tune is an absolute banger.