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The screen lets you visualise it like a traditional set up.
Input - couple of pedals, then amp and cab, then any other FX, then output to whatever you are plugging it into.
I think it's the easiest to use of all of them. It's easy to get caught up in options - you suddenly have about 250 pedals to choose from, but that's part of the fun for me.
Fancy a laugh: the unofficial King of Tone waiting list calculator:
https://kottracker.com/
The semi official facebook group has nearly 50,000 people in it swapping ideas and answering questions.
And it's dead easy for other users to email presets to each other to try out.
Fancy a laugh: the unofficial King of Tone waiting list calculator:
https://kottracker.com/
If you're looking for effects into a normal amp then the Fractal VP4 is miles ahead of the Line 6 HX effects, although the HX is not bad by any stretch of the imagination.
Lots of people really like the Helix, but I always found it didn't quite work for me in a band situation . If its just for the house then just about anything these days sounds decent..
These days most stuff sounds good. I'd generally go with what seems the most intuitive
The Helix is very good but you'll benefit from using the PC editor in the first couple of weeks. It is then easy to use and setup patches on the unit, especially with the capacitive footswitches.
But the screen is smaller than others, like QC and Tonemaster Pro.
I now use a Fractal and I think it is easier than many claim, but certainly less intuitive than the Helix.
All four are, I would argue, much more convenient than pedalboards as you can add, delete, reorder without any need to think of patch cables, power supplies, and velcro.
I think all the current units will work well enough these days.
Fancy a laugh: the unofficial King of Tone waiting list calculator:
https://kottracker.com/
Plenty of people use lower end effects units to good effect but thats not really the point.
I'm not dissing the Line 6 stuff, its' perfectly good, but the OP was asking for recommendations for easy to use which I've given him having owned all the units I mentioned.I had the Helix LT, and full fat plus several Stomps for a good number of months, gigged the HX fx for a year, so it's not based upon a quick couple of days playing with them.
- for impromptu jam sessions (i.e. you won't know what songs are going to come up), it's much quicker to dial in stomp boxes. Plus the fact you're limited to just the few stompboxes on your board is very liberating.
- for gigs with known setlists and also songwriting/recording sessions, the plethora of FX available, ability to rearrange your signal chain on the fly, and Helix's proprietary Snapshots are awesome.
This is why I have two pedalboards. One with an HX FX, and another with just stompboxes
YMMV.
The mono 1/4 jack output goes to the front end of a real amp (no ampsim). I've also got an ampsim and cabsim block in the path to the mono XLR ouput so I can also go straight into a PA or FRFR.
It's not about age. I find it very easy to use.
The point I was making is that most digital effects have been perfectly good for at least the last 20 years and you didn't need the most up to date great to sound good. Modelled amps are a different matter. I have loaned my old Boss GT100 to the other guitarist in my band to use on pedalboard mode and it still sounds good enough. As long as you're not using the built in high gain amp sims that is
https://www.youtube.com/watch?v=bxBgum0LA5s