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Comments
Admittedly, they're not quite as "pro" level as the YC or CP series (either in sounds or build quality) but are amazing value for a stage keyboard.
The CK61 is about half the price of the YC61!
I've got the CK88 and love it. Have really enjoyed it in a way I haven't with any guitar for a long time. (Blasphemy, I know.)
It's an ok keyboard, I've done a detailed review of it somewhere in this subforum but the TLDR version is "it's alright, yeah"
Oh well I stand behind my recommendation.
Q3 - Have you conquered your fear of triggering a computer software instrument via MIDI?
My recommendation is Keyscape by Spectrasonics.
Seen the faces in the places misunderstand.
I have a few options now for the epiano sounds, I use computer instruments for recording only but I don't use them for playing for fun as i don't like the disconnect feeling. The Universal Audio Rhodes plugin sounds best for recordings for me, Native Instruments Scarbee is also adequate. I've realised over time that i don't like organ sounds so much, so I'm not too fussed on that front
When playing for fun or for accompanying myself singing, I just use the Studiologic Numa piano, again it's entirely adequate sounding but feels nicer to play than a midi instrument which I have grown to find us more important to me.
I'd say it's great if you want to play some basic organ parts live in a compact format, but if you're a serious organist and it's going to be your main instrument on stage then maybe go for something closer to the real thing.
I've seen criticism of keyboard players by guitarists because of their tendency to overplay and fill out too much of the sonic spectrum (something keys can do at times).
Im sure it cuts both ways and it's frustrating to hear your tasteful piano or organ chord voicings obliterated by some Herbert belting out six string chords through a distortion box.
In reality a good player will lay back at times and let the other instruments get their share of the limelight when it's appropriate.
I love watching bands with keys players and find their sound so much more interesting than the endless two guitar lineups we get in the local covers acts.