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I would also say that generally it's a bad idea to try to adjust the FOH mix from the stage, without being able to hear what effect that is having out front - at least without input from someone out there.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I would try it with a direct connection from the amp to the PA, but if you get a ground loop hum, then you need a DI box. Mic'ing it won't work well as it does appear to have a separate tweeter.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
For our acoustic gigs I only really use two volume settings on my guitar's preamp, one for full strumming and one for lead passages. Full fader control just makes it harder to concentrate on playing IME.